Film Reviews
The Unforgivable review - Sandra Bullock gets stuck in a doom-struck rutSaturday, 27 November 2021
Based fairly closely on Sally Wainwright’s 2009 ITV series Unforgiven, The Unforgivable replaces the former’s star Suranne Jones with Sandra Bullock and has airlifted the action from Yorkshire to Seattle. Read more... |
House Of Gucci review – gloriously gawdy trashThursday, 25 November 2021
Back in 2013, Gina Gershon chewed up the scenery in the daytime movie House of Versace. Focusing on the murder of Gianni Versace, it was a tacky, cheap drama that knew what it was, and was all the more entertaining for it. The same can’t be said of Ridley Scott’s new drama which focuses on an equally prestigious Italian fashion house and a murder. Read more... |
Drive My Car review - talk therapy on the roadSaturday, 20 November 2021
In the first 35 minutes of Hamaguchi Ryūsuke’s three-hour Drive My Car, which the Japanese director adapted with Oe Takamasa from a story in Murakami Haruku’s Men Without Women collection, the successful actor Kafuku Yūsuke (Nishijima Hidetoshi) endures experiences that would derail a less stoical man. Read more... |
King Richard review - Will Smith gives an affecting performance as Richard WilliamsThursday, 18 November 2021
It's difficult to know if this biopic of Richard Williams – father of Venus Williams and Serena Williams, two of the greatest tennis players ever (perhaps the greatest in the latter's case) – is true to the facts, or just a version of them. Read more... |
Bruised review - Halle Berry takes the blows and does it her wayThursday, 18 November 2021
A classic specimen of the “what doesn’t kill you makes you stronger” school, Bruised is Halle Berry’s directorial debut. Read more... |
Mothering Sunday review - Odessa Young shines in adaptation of Graham Swift's novellaFriday, 12 November 2021
30 March 1924. Read more... |
Spencer review – daring, strange and deeply movingThursday, 04 November 2021
We ought to be sated with the Royal Family right now – on screen, given the riches of The Crown, and in general, what with the persistent, annoying buzz emitted by Harry and Meghan, or the odour of Andrew. So, it’s testimony to the enduring fascination with Princess Diana and the wonderful, singular filmmaking of Pablo Larraín that there’s room for more. Read more... |
Last Night in Soho review - hung overThursday, 28 October 2021
Take a bitter-sweet homage to Swinging Sixties London, then add a psychological horror story, and a murder mystery, with a dash of Mean Girls and a commentary on misogyny and sexual violence, all told through the prism of a young woman’s gift for seeing the dead. Edgar Wright has apparently been thinking about Last Night in Soho for more than a decade, which may explain why the final film feels so very over-cooked. Read more... |
Quant review - Sadie Frost's debut documentary skirts the genius of Mary QuantWednesday, 27 October 2021
As a teenager in 1967, I asked for a Mary Quant make-up box for Christmas and my parents reluctantly complied. Read more... |
Dune review - awesome display of sci-fi world-buildingWednesday, 20 October 2021
I’d venture that Denis Villeneuve’s adaptation of Frank Herbert’s 1965 sci-fi classic is an almost perfect adaptation. Read more... |
The Velvet Underground review - Todd Haynes tunnels through band historyTuesday, 12 October 2021
Todd Haynes’ documentary about the Velvet Underground has to be one of the better uses of time by a film-maker during the Covid pandemic. He spent lockdown putting the film together with a team of archivists and editors working remotely. It’s a beautifully shot and ingeniously collaged portrait of the decadent New York band which weaves together an extraordinary wealth of archive footage and some choice and apposite interviews. Read more... |
Gabriela Montero, Kings Place review - improvising to a Chaplin classic is the icing on a zesty cakeSaturday, 09 October 2021
As the Statue of Liberty appears in Charlie Chaplin’s The Immigrant, our improvising pianist proclaims “The Star-Spangled Banner”, only for it to slide dangerously. Read more... |
No Time to Die review - Daniel Craig’s bold, bountiful Bond farewellWednesday, 29 September 2021
In order to preserve its impact for the millions lining up to see it, it won’t be possible to truly dissect the boldness and significance of No Time to Die until the dust has settled on the box office, and moves to find Daniel Craig’s successor as James Bond go up a gear. For review purposes, the most astounding aspects of the script may as well be redacted. Read more... |
Oliver Sacks: His Own Life review - a complex portrait of a complex manMonday, 27 September 2021
It’s well worth tracking down one of the September 29 special cinema screenings of Ric Burns' lovingly made documentary portrait of the writer and neurologist Oliver Sacks, or seeking it out online. Read more... |
Gagarine review - hazy cosmic jive in a Paris banlieueSaturday, 25 September 2021
This is the story of a boy and a building. Sixteen-year-old Youri (newcomer Alseni Bathily) lives, with his telescope, in Cité Gagarine, a vast red-brick Sixties apartment complex in Ivry-sur-Seine, an eastern suburb of Paris governed by the French Communist party. Read more... |
The Ballad of Billy McCrae review - beware the quarryman's beautiful daughterFriday, 24 September 2021
An entertaining but undernourished industrial-domestic neo-noir set in South Wales,The Ballad of Billy McCrae depicts the power struggle between bent quarrying company boss Billy (David Hayman) and gullible failed businessman Chris Blythe (Ian Virgo), the story’s fall-guy protagonist. Read more... |
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