Film Reviews
Rose Plays Julie review - a sombre story of rape, adoption and a search for identitySaturday, 18 September 2021
Rose (Ann Skelly; The Nevers) is adopted. The name on her birth certificate is Julie and the possibility of a different identity – different clothes, different hair, different accent - beckons. If she could embrace this second life, she thinks, she could be the person she was meant to be. “I’d be the real me.” Read more... |
The Starling, Netflix review - a slender idea unsatisfyingly executedFriday, 17 September 2021
Despite an alluring cast which includes Melissa McCarthy, Chris O’Dowd and Kevin Kline, The Starling is doomed to be remembered, if at all, as a slender idea unsatisfyingly executed. Read more... |
The Electrical Life of Louis Wain review - visually arresting biopicThursday, 16 September 2021
On its surface, a biopic of a late-Victorian artist starring big British talents including Benedict Cumberbatch, Andrea Riseborough and Claire Foy, sounds like typical awards fare for this time of year. Read more... |
The Lost Leonardo review - an incredible tale as gripping as any thrillerTuesday, 14 September 2021
It’s been described as “the most improbable story that has ever happened in the art market”, and The Lost Leonardo reveals every twist and turn of this extraordinary tale. In New Orleans in 2005, a badly-damaged painting (pictured below left) sold at auction for $1,175. Read more... |
Schumacher, Netflix review - authorised version of the life of an F1 legendMonday, 13 September 2021
Michael Schumacher’s skiing accident in December 2013, which left the seven-times Formula One world champion with a severe brain injury, added a shocking postscript to one of the greatest stories in motor racing. Having survived a decades-long driving career which included numerous accidents (including a motorcycle smash in 2009 which was apparently far more serious than the Schumi camp would admit), he was near-fatally stricken on a family Christmas holiday in Méribel. Read more... |
Shorta review - Danish police dramaSaturday, 11 September 2021
This Danish police drama attempts to tackle the country’s uneasy relationship with the immigrants it’s allowed into its cities over the last 30 years. The result is a somewhat clumsy attempt at fusing social commentary with the visceral thrills of an action movie, complete with car chases, shoot outs and muscle-bound fistfights. Read more... |
The Collini Case review - it might be legal, but that doesn't mean it's justiceThursday, 09 September 2021
Adapted from Ferdinand von Schirach’s bestselling 2011 novel, The Collini Case is a riveting mix of character study and legal drama, carefully blended into a historical perspective reaching forward 60 years from the 1940s. Read more... |
The Champion of Auschwitz review - Polish movie based on a boxer's memoirWednesday, 08 September 2021
It’s a little hard to tell if this film was really intended for an international release, given that its heart is so set on making Polish movie-goers proud of their countrymen. The Champion of Auschwitz recounts the true story of Tadeusz "Teddy" Pietrzykowski, a young bantamweight boxing champion from Warsaw who in 1940 was captured by the occupying Nazis as he tried to join the Polish army in Fra Read more... |
Second Spring review - intriguing film about a woman with an unusual form of dementiaMonday, 06 September 2021
“We want you to see a doctor. You’ve changed, and not in a good way,” says Kathy’s underwhelming husband, Tim (Matthew Jure). Read more... |
Misha and the Wolves review - tricksy documentary about a child survivorSunday, 05 September 2021
It has become so hard to find funding for non-fiction films that many documentary makers now feel compelled to sell their stories as racy detective yarns, larded with dramatic scores and sneakily obfuscating narratives. There’s a piece of deception at the heart of Sam Hobkinson’s Misha and the Wolves which in this age of Holocaust denial, is distressingly slippery. Read more... |
Candyman review - Nia DaCosta's clever sequel to the 1992 slasher movieSaturday, 28 August 2021
Anaphylactic shock, anyone? Candyman, both the 1992 original, directed by British director Bernard Rose and based on a story by Clive Barker, and its stylish, sharp sequel by Nia DaCosta, co-written and produced by Jordan Peele, features an awful lot of bees. Read more... |
The Toll review - once upon a time in west WalesSaturday, 28 August 2021
Budget constraints. In the hands of the right filmmakers, they can be a blessing in disguise, forcing creativity from simplicity. That’s exactly what works for The Toll, a dark comedy set in the wild west of these isles: Pembrokeshire. Read more... |
Our Ladies review - five go wild in EdinburghFriday, 27 August 2021
It’s often the company one keeps that makes a journey worthwhile, not the destination. That’s as true for the five ebullient Fort William schoolgirls making their first trip to Edinburgh in Our Ladies as it is for the film’s audience. These Highland hoydens are so much fun, it’s a pity when our brief time with them ends. Read more... |
The Nest review – intriguing, off-kilter family dramaThursday, 26 August 2021
The Nest is a peculiar animal, hard to nail down, parts family drama and social satire, but with a creepy sense of suspense rippling under the surface that threatens to bust the plot wide open. Read more... |
Reminiscence review - looks great but doesn't deliverThursday, 19 August 2021
Written and directed by Lisa Joy, who masterminded HBO’s Westworld TV series, Reminiscence is a grandiose sci-fi blockbuster that looks great, sounds deafening, but ultimately disappoints because it’s a genre-sampler that can’t find a distinctive voice of its own. Read more... |
The Courier review - lacklustre spy movieFriday, 13 August 2021
It’s always a bit worrying when distributors choose to open a film in August at the best of times, but after 18 months of covid playing havoc with release schedules, the backlog of titles has to be dealt with somehow. The Courier is one such movie, seeping out now in selected art house cinemas: if it doesn’t set the box office on fire, the distributors can blame the sunshine, not the drabness of the movie itself. Read more... |
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