Film Reviews
Ambulance review – Michael Bay in excelsisSunday, 27 March 2022
Speed in an ambulance? Gone In 60 Seconds meets Heat? Read more... |
The Worst Person in the World review - confusion becomes herSaturday, 26 March 2022
Some British TV viewers who were in junior school in the mid-1960s will recall the imported Australian kids’ show The Magic Boomerang. When the adolescent hero, a sheep farm kid, threw the eponymous piece of wood, he stopped time and was able to thwart crimes and right other wrongs as long as it was airborne; once he caught it, life continued as before in his corner of the Outback. Read more... |
The Tinderbox review – a call for peaceFriday, 25 March 2022
The beginning of the Israeli-Palestine conflict is officially dated to 7 June 1967, the occasion of the Israeli occupation of the West Bank, including East Jerusalem, during the Six-Day War, but its origins stretch back further. Read more... |
X review - sex and the bloody American dreamMonday, 21 March 2022
Ti West’s slyly self-referential horror film about a Texan porn shoot subverts expectations. Read more... |
Three Floors review - nothing like good neighboursSunday, 20 March 2022
A speeding drunk driver arrows down a silent street into a Roman block of flats. Read more... |
River review – gorgeous visuals and a timely message: so what’s not to like?Saturday, 19 March 2022
I would suggest watching River on the largest possible screen, so you can bask in the breathtaking beauty of the visuals. Read more... |
Paris,13th District review - millennial merry-go-roundFriday, 18 March 2022
Having established his world-class reputation with gritty crime thrillers, notably A Prophet, Jacques Audiard is clearly on a mission to branch out: after his terrific, revisionist western The Sisters Brothers, comes this ambling, sexy, millennial story about love, friendship, and the complicated areas in between. Read more... |
Deep Water review - not even laughably badFriday, 18 March 2022
Patricia Highsmith must be spinning in her grave. This ridiculously incompetent adaptation of her 1957 crime novel lacks all suspense or credibility. It’s hard to believe that Adrian Lyne, responsible for huge box-office hits like the provocative thriller Fatal Attraction and the dodgy but watchable 9 ½ Weeks and Indecent Proposal, could make something quite so feeble as Deep Water. Read more... |
The Phantom of the Open review - charmingly incompetent golfer channels EalingThursday, 17 March 2022
“No one can say you didn’t try,” shipyard worker Maurice Flitcroft (Mark Rylance) is told, shortly before bluffing his way aged 46 into the 1976 British Open, having never played golf before. Read more... |
Hive review - how a group of Kosovan widows rebuilt their livesWednesday, 16 March 2022
As the air echoes with wars and rumours of wars, Hive has the potential to strike a chord resonating way beyond its Kosovan setting. The factually-based story is set in the aftermath of the Balkan conflicts of the late 1990s, after Serbian forces had carved a trail of rape, murder and destruction through Kosovo’s Albanian communities. Read more... |
The Metamorphosis of Birds review - picture perfectTuesday, 15 March 2022
How do you make a film about death, love and loss that avoids being sentimental, maudlin or pretentious? Take your cue from Portuguese artist Catarina Vasconcelos. Read more... |
The Godfather, Coda: The Death of Michael Corleone review - can it pull you back in?Sunday, 13 March 2022
The relative runt of the Godfather litter was hacked out in a Las Vegas casino, as Francis Ford Coppola and Mario Puzo worked up scenarios for an assignment taken on for the money. Read more... |
Great Freedom review - love behind bars in GermanySaturday, 12 March 2022
A story of forbidden love, Great Freedom takes place almost entirely in a prison. The film's background is encapsulated in the word “175er/ hundertfünfundsiebziger”, still to be found in German dictionaries and collective memories as a pejorative word for a gay man. Read more... |
A Banquet review – horror, done beforeFriday, 11 March 2022
One feels, or perhaps hopes, that if she could have avoided it, first-time feature director Ruth Paxton might not have started A Banquet as she ultimately did: with Holly Hughes (Sienna Guillory) arduously scrubbing the frame of her husband’s hospital-style bed, as he coughs, gasps, and weeps for an end to whatever ghastly affliction he has been dealt. Read more... |
Master Cheng review - slight but soothing Finnish-Chinese romanceThursday, 10 March 2022
There’s a long tradition of foodie romances proving art-house cinema hits – think of Babette’s Feast, Tampopo, and Chocolat. Sadly, it’s unlikely that Master Cheng, a gentle and very slow Finnish-Chinese coproduction about a chef from Shanghai charming the Nordic locals with his cleaver skills, is going to light up the UK box office. Read more... |
The Batman review - lean and mean, yet againFriday, 04 March 2022
Robert Pattinson’s Batman is lean and aquiline, his Bruce Wayne an obsessive recluse. Read more... |
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