Film Reviews
The New Boy review - a mystical take on Australia's treatment of its First PeoplesSaturday, 16 March 2024
This is writer-director Warwick Thornton’s third feature film, his first since 2017's excellent Sweet Country, and it took him 18 years to bring it to the screen. He describes it as “a really special one” with “a lot to say”, though viewers may find themselves having to ponder long and hard to figure out The New Boy’s layers of meaning. Read more... |
Monster review - superbly elliptical tale of a troubled boyFriday, 15 March 2024
Monster is one of those films that you really shouldn’t read too much about before you see it, and if you are anything like me, you’ll want to watch it all over again when it ends. It’s an intricately told psychological drama that grips from the start; a fire breaks out in a high rise building in an unnamed Japanese town. Neighbours watch from their balconies and gossip about the hostess bar in the building. Read more... |
Drive-Away Dolls review - larky lesbian road movie with some iffy gear changesFriday, 15 March 2024
There’s a Coen brother directing, plus a cast that includes Matt Damon, Pedro Pascal, Oscar nominee Colman Domingo and Margaret Qualley, the standout hitchhiker in Once Upon a Time in Hollywood… so why does Drive-Away Dolls feel so insubstantial? Read more... |
Janey review - fitting punchline for a contentious comedianWednesday, 13 March 2024
The Glaswegian comedian Janey Godley, the woman who put the punch in punchline, has what she would call a “mooth” on her. It delivers pith and grit and lots of short words needing asterisks. Though possibly not for much longer, as she is in the throes of ovarian cancer. Read more... |
The Last Year of Darkness review - a loving portrait of a Chengdu gay barTuesday, 12 March 2024
Yihao is a disaffected 20 year old living in Chengdu, capital of Sichaun Province. A thriving centre for business and commerce, Chengdu looks like any other modern city. You could mistake it for downtown Chicago except that, apart from the Walmart logo, the signage is in Chinese. Read more... |
Oscars 2024: politics aplenty but few surprises as 'Oppenheimer' dominatesMonday, 11 March 2024
Oppenheimer as expected dominated the 96th Academy Awards, winning seven trophies whilst runner-up Poor Things took four prizes, including Emma Stone in the hotly contested category of best actress. Read more... |
High & Low: John Galliano review - Kevin Macdonald charts the fashion designer's rise and fallFriday, 08 March 2024
“Fashion has a very short memory. Maybe that’s part of its charm,” says Robin Givhan of The Washington Post in Kevin Macdonald’s documentary. Whether anyone can forget John Galliano’s drunken anti-Semitic and racist outpourings at La Perle, his local café in the Marais in Paris in 2011, followed by his sacking by Dior, where he’d reigned as creative director for 14 years, is doubtful. Read more... |
Origin review - bursts of brilliance in an unwieldy frameFriday, 08 March 2024
Isabel Wilkerson’s book Caste: The Origins of Our Discontents, about the key role caste systems play in subjugating whole racial groups, was a runaway success in the US in 2020. Here, the Pultizer-Prize winning black journalist is not so well known. Ava DuVernay’s adaptation of her book aims to change that. Read more... |
Do Not Expect Too Much From the End of the World review - bonkers in BucharestFriday, 08 March 2024
Filmmakers of note make long movies for different reasons. Sometimes they may want the viewer to be so immersed in the movie they become “kidnapped” by it, to borrow an idea from Susan Sontag. (Epics by auteurs like Greece’s Theo Angelopoulis or Turkey’s Nuri Bilge Ceylan may be in this bracket.) Read more... |
Dune: Part 2 review - sombre space operaSunday, 03 March 2024
Dennis Villeneuve’s Dune sequel is a sombre science-fiction spectacle that insists on the scale of cinema: erupting sandworms are Cecil B. DeMille colossal, the sound design centred on Hans Zimmer’s score thunderously enveloping. In a genre once jokingly called space opera, its grand aristocratic dynasties and passions justify the term. Read more... |
Lisa Frankenstein review - a bitchy trawl through the high-school horror movie back catalogueSaturday, 02 March 2024
Diablo Cody’s biggest screenwriting hit was 2007’s Juno, a larky but tender story of teenage pregnancy. She’s gone back to high school for her latest, Lisa Frankenstein, which focuses on another troubled teen. This one has goth looks accessorised with an axe. Read more... |
Red Island review - Madagascar miniaturesThursday, 29 February 2024
The French military outpost on Madagascar is a “family cocoon, full of love and benevolence”, according to a character in this fictional portrait of the country in the early 1970s. Of course, as soon as we hear this claim near the start of Red Island, we assume we’re about to witness anything but. |
Driving Mum review - a dark comedy that has you laughing out loudTuesday, 27 February 2024
Hilmar Oddsson’s award-winning film Driving Mum is pitch-perfect. Jon has spent the last 30 years looking after his domineering mother. There they sit, side by side, in a remote cottage on Iceland’s western fjords, knitting jumpers to sell to the neighbourhood co-op. And as they work, their skeins of wool become entwined – a gentle reminder of how inextricably enmeshed their lives have become. Read more... |
Wicked Little Letters review - sweary, starry film is mostly strangeSaturday, 24 February 2024
A splendid cast struggle to make something coherent out of Wicked Little Letters, the latest film from Thea Sharrock who not that long ago was one of the hottest theatre directors in town. Read more... |
Memory review - love, dementia and truthFriday, 23 February 2024
Procul Harum’s “A Whiter Shade of Pale” is given a new lease on life in Mexican director Michel Franco’s moving, complex film, full of fine performances. Read more... |
Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fictionWednesday, 21 February 2024
The downstairs of the Whitechapel Gallery has been converted into a ballroom or, rather, a film set of a ballroom. From time to time, a couple glides briefly across the floor, dancing a perfunctory tango. And they are really hamming it up, not for the people watching them – of whom they are apparently oblivious – but for an imaginary camera. Read more... |
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