tue 17/06/2025

Film Reviews

The Echo review - a beautiful but confusing look at life in a Mexican village

Sarah Kent

El Eco (The Echo) is a small village in Mexico’s central highlands, about two hours drive from Mexico City. But it might as well be thousands of miles away since it feels cut off from the outside world, especially for the women and children eking out a living there.

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About Dry Grasses review - warts and all portrait of an unhappy man

Helen Hawkins

Nuri Bilge Ceylan’s latest is a test of stamina: a 3hr 15min study of a man paralysed by negative thinking. It also contains striking freeze-framed portraits of people and places that you want to pause and look at even longer than the editing allows, so beautiful are they.

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In a Violent Nature review - inverted slasher is fascinating

Harry Thorfinn-

A group of young people rent a cabin in the woods. A masked killer lingers nearby. Surely you know how the rest unfolds. The slasher and its well-worn tropes have been parodied, satirised and subverted for as long as it has existed. In fact, we seem to prefer watching these deconstructions compared to the actual, pulpy thing. Scream is after all the most successful horror franchise in history. 

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Crossing review - a richly human journey of discovery

Tom Birchenough

Crossing is a remarkable step forward for Swedish-Georgian director Levan Akin. There are elements that build on his acclaimed 2019 Tbilisi drama And Then We Danced, but his new film is rich with a new complexity, as well as a redolent melancholy, a loose road-movie that speaks with considerable profundity of the overlapping worlds in which it is set.

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Janet Planet review - teasing dissection of a mother-daughter relationship

Helen Hawkins

Fans of American playwright Annie Baker’s work know what they are likely to get in her film debut as a writer-director: slow-paced interactions between characters thrown together in a confined space – a workplace, a B&B, a clinic – where long bouts of silence are not uncommon and little happens but everything important somehow gets said. 

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Chuck Chuck Baby review - love among the feathers

Graham Fuller

As Janis Pugh’s semi-autobiographical Chuck Chuck Baby draws to a close, the camera fondly plays around the smiling faces of some of its voiceless female characters – careworn middle-aged workers in a Welsh chicken processing factory. They're cheered by finally seeing something good happen to one of their number.

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More Than One Story review - nine helpings of provocative political theatre

Helen Hawkins

A stark end-title at the end of this collection of short films sums up the dire situation the UK is in: one in five people,14 million Britons, are now living in poverty. 

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Longlegs review - like its titular killer, this summer's most hyped horror film leaves no trace

Harry Thorfinn-

Apparently when actress Maika Monroe first saw Nicolas Cage in his full Longlegs get-up, her heart-rate skyrocketed to 170 bpm (her resting heart rate is 76). Or at least so a promotional video tells us.

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Sleep review - things that go bump in the night

Adam Sweeting

The question Korean director Jason Yu is asking in this eerie little spine-tingler (his debut feature) is “how well do you know your partner?” He may also be inquiring whether or not you believe in life after death, while planting nagging seeds of doubt about the competence of the medical profession.

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Fly Me to the Moon review - NASA gets a Madison Avenue makeover

Adam Sweeting

It’s over 50 years since men last landed on our orbiting space-neighbour, but director Greg Berlanti's Fly Me to the Moon transports us back to the feverish days in 1969 when Apollo 11 was about to tackle the feat for the first time. The film’s promo material rather misleadingly bills it as “a sparkling rom-com”, but it has a few other strings to its bow.

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MaXXXine review - a bloody star is born

Nick Hasted

Mia Goth’s mighty Maxine finally makes it to Hollywood in Ti West’s brash conclusion to the trilogy he began with X (2022), which has become a visceral treatise on film’s 20th century allure, and the bloody downside of dreaming to escape.

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Heart of an Oak review - an adventure film starring a tree and its inhabitants

Sarah Kent

On one level, Heart of an Oak is the most spectacular nature film you are ever likely to see. The camera glides over a forest before honing in on a magnificent, 210 year old oak tree. It travels up the gnarled surface of the ancient trunk, which resembles elephant hide, into the canopy.

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The Nature of Love review - disappointing French-Canadian romance

Saskia Baron

The Nature of Love joins a recent spate of films where older women enjoy what a mealy-mouthed columnist would describe as an inappropriate relationship.

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Kinds of Kindness review - too cruel to be kind

Demetrios Matheou

Yorgos Lanthimos continues to navigate a highly distinctive, daring, one might even say sly path for himself. After attracting more mainstream audiences with his crowd-pleasing period romp The Favourite, and the gothic feminist fable Poor Things, he now returns to the bleak, discomforting and strange worldview of his earlier films. 

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Francis Alÿs: Ricochets, Barbican review - fun for the kids, yet I was moved to tears

Sarah Kent

Belgian artist, Francis Alÿs has filled the Barbican Art Gallery with films of children playing games the world over.

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Rose review - a long way from home

Saskia Baron

Rose has taken a while to get a release in the UK; this Danish comedy-drama opened in Scandinavia back in the autumn of 2022 and won positive reviews in the US last Christmas. Releasing a movie just as the sun finally appears to make spending an evening in a cinema unappealing, seems like a risky choice.  

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