wed 14/05/2025

Justine Elias

Articles By Justine Elias

A Working Man - Jason Statham deconstructs villains again

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William Tell review - stirring action adventure with silly dialogue

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10 Questions for Mark Gatiss, writer-director of 'A Ghost Story for Christmas: Woman of Stone'

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Witches review - beyond the broomstick, the cat, and the pointy hat

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Joy review - the birth pangs of in vitro fertilisation

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theartsdesk Q&A: Alice Lowe on 'Timestalker' and what women rue through the ages

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Notes from Sheepland review - her farm is her canvas

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The Critic review - beware the acid-tipped pen

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Starve Acre review - unearthing the unearthly in a fine folk horror film

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Cuckoo review - insane time in the Bavarian Alps

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Trap review - how not to find a serial killer in a haystack

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The Micro Golden Age of Mid Eighties Fantasy Films

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Sorcery review - a tale of shapeshifting revenge

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Rosalie review - a bride embraces her difference

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Riddle of Fire review - unsubtle but likeable kids' adventure flick

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Love Lies Bleeding review - a pumped-up neo-noir

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There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...

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According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...

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The Last Musician of Auschwitz review - a haunting testament...

“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...

Giulio Cesare, The English Concert, Bicket, Barbican review...

Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...

Hallé, Elder, Bridgewater Hall, Manchester review - premiere...

Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...