Film Reviews
Far From the Madding CrowdFriday, 01 May 2015
The arrival of Thomas Vinterberg's new treatment of Thomas Hardy's novel has triggered a retro-wallow in John Schlesinger's 1967 version, but happily, that was long enough ago to allow Vinterberg's vision to resonate in its own space. My expectations weren't high, but more fool me. This Madding Crowd rocks. Read more... |
SambaThursday, 30 April 2015
A French romantic comedy about immigration? Seeing Samba in election week may not be on Nigel Farage’s to-do list, but that should not deter anyone else. Based on a novel by Delphine Coulin, this is an affectionate and touching look at the absurdities of life as an illegal, and at its heart are two charming performances. Read more... |
Stonehearst AsylumSunday, 26 April 2015
Stonehearst Asylum is bookended by classic Hammer horror scenes. Within minutes of Dr Edward Newgate (Jim Sturgess) being dropped off at the titular, fog-bound mansion by a swiftly exiting coach and horses, he meets a full-blooded Gothic gang: stiff-backed asylum overlord Dr Lamb (Ben Kingsley), his leering henchman Mickey Finn (David Thewlis), and beautiful, sexually terrified Eliza Graves (Kate Beckinsale). Read more... |
Avengers: Age of UltronFriday, 24 April 2015
Joss Whedon’s Avengers sequel loses much of the original’s exhilarating freshness. It begins in the middle, doesn’t really end, and regularly makes you wonder just how long the Marvel box-office bonanza can continue. The moment when its Cinema Universe’s exponentially growing complexity slams into entropic reverse, as happened to Stan Lee and Jack Kirby’s original comic-book vision, is plainly visible on the horizon. Read more... |
A Pigeon Sat on a Branch Reflecting on ExistenceThursday, 23 April 2015
If A Pigeon Sat on a Branch Reflecting on Existence induces reflections on the nature of existence, the resultant mood could initially be very glum indeed. Swedish director Roy Andersson’s meditation is the self-declared “final part of a trilogy about being a human being”. It opens with three vignettes focusing on unexpected deaths and is, overall, grey in tenor. Read more... |
Three Tales, Ensemble BPM, IMAX Science MuseumThursday, 23 April 2015
Poised vibrantly enough between the buried-alive monotony of Philip Glass and the dynamic flights of John Adams, Steve Reich’s Three Tales deserves a special place in music-theatre history ("opera" it is not). Read more... |
The FallingWednesday, 22 April 2015
The pupils at a girl’s school are afflicted by fainting. It’s spreading. A teacher is affected too. The epidemic began after Lydia and Abbie's friendship has irrevocably ended. Lydia became the first to faint. The school’s headmistress, Miss Alvaro, is determined to ignore what’s going on and ascribe it to baseless hysteria. The stern teacher Miss Mantel is equally unyielding. When medical examinations are finally undertaken, no causes are determined. Read more... |
ExitMonday, 20 April 2015
Taiwanese director Chienn Hsiang has given his lead actress Chen Shiang-chyi a role of rare complexity in Exit, and she dominates this bleakly naturalistic slice-of-life film completely. Read more... |
The Decent OneSaturday, 18 April 2015
Remember the Hitler diaries? Stern and the Sunday Times were so eager for them to be true they went ahead and published even after historian Hugh Trevor Roper had changed his mind about their authenticity. Such was the hunger for stories about Nazis. It’s still there, but Die Welt was on firmer ground when – to accusations of sensationalism – last year it published extracts from the cache of letters, diaries and memos in the hand of Heinrich Himmler. Read more... |
Child 44Friday, 17 April 2015
"There is no murder in paradise" is the official line of the authorities in 1950s Russia, but nevertheless Child 44 is the blood-drenched tale of a hunt for a mass-murdering paedophile in Stalin's deathly shadow. Read more... |
A Little ChaosThursday, 16 April 2015
We’ve waited 33 years since Peter Greenway’s The Draughtsman’s Contract for another film combining romance, intrigue and 17th century landscape gardening. Now we have one, and it couldn’t be more different. Read more... |
The SalvationWednesday, 15 April 2015
Boasting one of the most appealingly eclectic casts in recent memory, The Salvation – from Dogme 95 director Kristian Levring – might have hoped to emulate the success of Sergio Leone's Italian-infused approach by bringing a Danish flavour to traditional western proceedings. Read more... |
GlasslandMonday, 13 April 2015
The burden of responsibility weighs heavily on a young man struggling to deal with his mother’s alcoholism, in Gerard Barrett’s powerful and poignant second feature. Jack Reynor, who so impressed in Lenny Abrahamson’s What Richard Did, turns in a nuanced and moving performance as a son driven to desperate measures in order to survive. Barrett empathises how difficult it can be to get by when you don’t have a regular income, or indeed plentiful cash to throw at your problems. Read more... |
John WickFriday, 10 April 2015
This shrewdly assembled, often near-monochrome actioner injects pathos from the off and mirrors the melancholic outlook of its grief-ravaged protagonist, played by Keanu Reeves, who dials down the befuddlement and proves rather endearing. Directed by stuntmen Chad Stahelski and (an uncredited) David Leitch, it's a lovingly crafted, pleasingly characterful effort that delivers impactful, imaginatively executed thrills. Read more... |
Force MajeureFriday, 10 April 2015
The fault-lines of human relationships are tested in Swedish director Ruben Ostlund’s Force Majeure, and prove much more fraught than the physical threat inherent in the film’s glorious alpine landscapes. Its opening scenes capture a Swedish couple, on a skiing vacation in the Alps with their two young children, having their photographs taken by a resort snapper: as they readjust their poses, it seems like a search for a depiction of the perfect family. Read more... |
JaujaThursday, 09 April 2015
In the past decade or so the Argentine director Lisandro Alonso’s minimalist masterworks have earned him an ardent, if particular following. With Jauja he’s moved beyond his comfort zone, by using professional actors for the first time and with more dialogue than in all his previous combined. The result is at once his most accessible film and his most mysterious, which is quite some trick. And it confirms his status as one of contemporary cinema’s great artists. Read more... |
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