Film Reviews

Suite Française

Nick Hasted Friday, 13 March 2015

Saul Dibb dispenses with the first half of Irene Nemirovsky’s great novel Suite Française in about a minute. Grainy newsreel footage disposes of the Fall of France in 1940, then it’s on to the occupation of Bussy, the country town where Lucille (Michelle Williams) falls for gentlemanly German officer Bruno (Matthias Schoenaerts, pictured below with Williams).

X + Y

Katherine McLaughlin Wednesday, 11 March 2015

Sally Hawkins, Rafe Spall and Eddie Marsan form a super group of supporting actors in this heart-warming British coming-of-age drama which follows an autistic boy on his journey to the International Mathematics Olympiad (IMO).

Comment

Elle l’Adore

Kieron Tyler Monday, 09 March 2015

The relationship between stars and their fans is symbiotic, but there are barriers for many reasons. Illusions can crumble when the star-struck come too close to their idol. Celebrities have to lead their lives, and intrusions by the obsessed hardly encourage day-to-day routine. Elle L’Adore posits a what-if which takes place when a star decides to breach the barrier.

Chappie

Emma Simmonds Friday, 06 March 2015

An innocent is corrupted in South African director Neill's Blomkamp's third feature (co-written with his wife Terri Tatchell), but the kid in question is far from what you'd expect. Set in the near future, it focuses on a reprogrammed police robot with the consciousness, sensitivity and suggestibility of a child - a lovably tatty piece of tech who has been literally labelled a reject, and who sports bunny ears, graffiti and gangster bling.

White Bird in a Blizzard

Demetrios Matheou Friday, 06 March 2015

Adolescence, youth culture and rebellion – often luridly and violently expressed – are the stocks in trade of American director Gregg Araki, who has one of the most distinctive voices in US cinema. But while Araki’s work has tended to exist on the fringe, White Bird In a Blizzard feels like a tiptoe into the mainstream – and the journey seems to have seriously neutered that voice.

Dreamcatcher

Tom Birchenough Thursday, 05 March 2015

We get the big city views of Chicago, the bright lights and the skyscrapers, a few times in Kim Longinotto’s Dreamcatcher, but for the most part we’re planted firmly down at street level, in areas of town probably you wouldn’t want to go to, a fair amount of the time at night.

Still Alice

Matt Wolf Wednesday, 04 March 2015

Oscar winner Julianne Moore: the phrase has been a long time coming but it finally came true 10 days ago when the actress, long considered one of Hollywood's best and brightest, added an Academy Award to her groaning mantelpiece of trophies for her work in Still Alice. Is this actually the finest performance yet given by the flame-haired 54-year-old? Probably not (Far From Heaven, anyone?), and Still Alice – an entirely well-meaning venture that inspires...

Appropriate Behaviour

Tom Birchenough Monday, 02 March 2015

There’s an engaging, indie sense of emotional flux in writer-director Desiree Akhavan’s feature debut Appropriate Behaviour, and a very funny script indeed behind it.

The Second Best Exotic Marigold Hotel

Matt Wolf Saturday, 28 February 2015

The oldies are back at Jaipur's Marigold Hotel and they're looking like goodies, too, thanks to a British dame or two and an Ol Parker script that knows when to leave off the breeziness and let the occasional intimation of mortality hold sway. And in a celluloid landscape plagued by sequelitis, the fact that a collective of British pensioners and their newfound Indian chums have been brought back for more is itself rather bracing compared to the usual spate of avengers, transformers or what...

White God

Kieron Tyler Friday, 27 February 2015

With a similar title to Samuel Fuller’s White Dog, White God, too, is an allegory on racism with a canine slant. Where the 1982 film centred on a dog trained to attack black people, Kornél Mundruczó’s film is set in a Hungary where mixed-breed dogs are rounded up and sent to pounds. An edict from a government which is neither mentioned specifically nor seen, permits only pure “Hungarian” breeds. Mutts have to be reported.

It Follows

Emma Simmonds Wednesday, 25 February 2015

David Robert Mitchell's second ode to innocence lost is a rather more twisted take on the subject than his first film, The Myth of the American Sleepover. That was a beautifully judged ensemble coming-of-ager which merely teased us with horror tropes. Alongside the titular teen tradition it featured an abandoned warehouse, a Ouija board, a trip down to the basement and a midnight swim.

Oscars 2015: Birdman soars, Boyhood plummets

Matt Wolf Monday, 23 February 2015

I hope someone by now has told Neil Patrick Harris how to pronounce David Oyelowo’s surname, but if anyone wants to see how not to host an Oscars, Harris’s stewardship of the 87th annual Academy Awards can provide that service in spades.

Comment

The Duke of Burgundy

Graham Fuller Friday, 20 February 2015

At last, it’s here – the female-friendly BDSM movie that no grownups should restrain themselves from seeing. The one with the designer clothes and kinky accoutrements. The one with the “special” room for thrilling punishments. The one unafflicted by Christian Grey and his assorted neuroses.

Cake

Matt Wolf Thursday, 19 February 2015

Jennifer Aniston changes pace without changing any fundamental perception of her skills in Cake, the austerely self-admiring new film that finds the onetime Friends star playing a none-too-friendly sufferer from chronic pain.

Maidan

Tom Birchenough Tuesday, 17 February 2015

I went into watching Sergei Loznitsa’s documentary Maidan with the highest hopes, and came out, more than two hours later, cold. For a film about a successful national liberation movement, that’s something of a paradox.

Blackhat

Adam Sweeting Monday, 16 February 2015

From Michael Mann, the director of the monumental crime epic Heat and the original and best Hannibal Lecter movie Manhunter, this lumbering saga of cyberhacking is really rather disappointing. Not that it doesn't include several torrid action sequences in exotic locations, while the basic theme is at least urgently topical. It's just that there's little evidence that the project fired Mann's imagination, or inspired him to breathe plausible life into his characters.