sat 21/06/2025

Film Reviews

The President

Tom Birchenough

What’s it really like to be a dictator? Or president, if we put it more circumspectly, as Iranian director Mohsen Makhmalbaf does in his new film of that name – though this President clearly believes he’s of the “for-life” variety, if not even a rung higher given that the mode of address in this contemporary court is, “Your Majesty”.

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The Dance of Reality

Kieron Tyler

The British release of the first film made by Alejandro Jodorowsky since 1990’s The Rainbow Thief is an event. Although the Chile-born director disowned that, his reputation was secured with El Topo (1970), The Holy Mountain (1973) and consolidated with 1989’s Santa Sangre. In all, after his 1968 debut Fando y Lis, he has only completed six other films.

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The Man from U.N.C.L.E.

Adam Sweeting

The TV series on which Guy Ritchie has based his new spy-buddies movie first appeared on the small screen (in black and white) in 1964, when Napoleon Solo and Illya Kuryakin welcomed us into their secret lair in New York and introduced themselves as "enforcement agents" for U.N.C.L.E., apparently a sort of UN/CIA hybrid. The grandfatherly Mr Alexander Waverly, resembling a retired bank manager in venerable tweed, announced himself as their boss.

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Mistress America

Matt Wolf

People talk at and not to one another in Mistress America, the latest collaboration between director Noah Baumbach and actress Greta Gerwig and the first to make me wonder whether the unarguably gifted real-life couple might benefit from an outside eye to let them know when enough is enough.

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Theeb

Tom Birchenough

The epic and the intimate combine impressively in Jordanian director Naji Abu Nowar’s debut feature Theeb. The epic is there is the scale of the stunning desert landscapes that are the backdrop – though the desert itself almost feels like a character here, and generic allusions to the Western abound – to his World War One story of complicated Bedouin loyalties played out on the edges of the Ottoman Empire.

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The Diary of a Teenage Girl

Matt Wolf

Multiple stars are born in The Diary of a Teenage Girl, the conventionally titled film premiered earlier this year at Sundance that turns out to be unconventional in every way that matters.

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Manglehorn

Demetrios Matheou

When Al Pacino burst into the spotlight as Michael Corleone in The Godfather, his celebrated co-star was Marlon Brando, who for years had been giving eccentric performances and making a mockery of his talent, but was about to offer audiences a reminder of the innately consummate actor he was.

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DVD: My Darling Clementine

Graham Fuller

In John Ford’s rueful 1946 allegory about the human cost of America’s new role as global peacekeeper, Wyatt Earp (Henry Fonda) agrees to clean up Tombstone, Arizona, as a pretext for revenging his teenage brother's murder by Old Man Clanton (Walter Brennan) and his rustler sons.

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52 Tuesdays

Tom Birchenough

An affectingly restrained Australian drama of adolescent development coloured by the repercussions of a parent undergoing gender transition, 52 Tuesdays may initially seem understated in its exploration of the balances (and imbalances) of family relationships under stress, but finally achieves something rather deeper than its innovative broken-up narrative style at first suggests.

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Marshland

Jasper Rees

Marshland is set on possibly the last section of the Andalusian coastline which doesn’t have high-rise condos planted all over it. Imagine the Kentish marshes of Great Expectations, but with a harsh sun cracking the parched earth, while overhead the sky throngs with geese and flamingos. It’s in this inhospitable corner of Spain that young women keep disappearing, apparently lured away to the big city, never to be heard from again.

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Hard to Be a God

Tom Birchenough

Don’t on any account be late for the first couple of minutes of the woolly mammoth that is Russian director Alexei German’s last film, Hard to Be a God, since the opening narrative voiceover gives a rare suggestion of explanatory background to a work that, put mildly, does not greatly trouble itself, over a lumbering length of just under three hours, with much in the way of plot explication.

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The Gift

Emma Simmonds

People who live in glass houses should be careful who they antagonise. That's the superficial starting point of The Gift, the directorial debut of actor Joel Edgerton, who takes the cuckoo-in-the-nest thriller template – which became ubiquitous in the early '90s with films like Pacific Heights, Unlawful Entry, Single White Female and The Hand...

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Mission: Impossible – Rogue Nation

Adam Sweeting

Stepping in for Brad Bird, who helmed 2011's Mission: Impossible – Ghost Protocol, director Chris McQuarrie has brought a high-speed sheen and effortless technical assurance to this fifth outing for the franchise. In so doing, he at least partially erases memories of his previous directing job with its star Tom Cruise, 2012's misfiring Jack Reacher.

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Man With a Movie Camera

Graham Fuller

Dziga Vertov’s narrativeless “city symphony” Man With a Movie Camera celebrates the modernity and energy of the post-Bolshevik Revolution metropolis – a composite of Kharkov, Kiev, Moscow and Odessa filmed over three years. Propaganda for the harnessing of machinery in the building of the Soviet Union’s future, it was much more besides – a masterpiece of avant-garde experimentalism and, fleetingly, an unexpected critique of the continuing class struggle.

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Southpaw

Adam Sweeting

The boxing movie has been a gift to filmmakers virtually since the dawn of cinematic time. In 1932 Jimmy Cagney was swinging for the title (and the gal) in Winner Take All, but some say 1947's Body and Soul, starring John Garfield as boxing champ Charley Davis, is the one most of the other screen boxers are indebted to, from Sly Stallone's Rocky to Robert De Niro's Jake LaMotta in Raging Bull.

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DVD: While We're Young

Ellin Stein

As Noah Baumbach moves into his forties, his youthful archness is becoming increasingly tempered with a wry melancholy.

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