sat 12/07/2025

Classical Reviews

London Sinfonietta, Atherton, Queen Elizabeth Hall

Igor Toronyi-Lalic

The most interesting thing about Louis Andriessen's musical snapshot of the famous eroticist Anaïs Nin - being given its UK premiere at the Queen Elizabeth Hall last night - was that the scene on the chaise longue in which Nin (Cristina Zavalloni) simulates riding her father was nowhere near the most unsettling episode.

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Miloš Karadaglić, LPO Foyle Future Firsts, 100 Club

David Nice

Bear with me while, like supergroomed rising star Miloš Karadaglić retuning his guitar to a mellower vein, I adjust my concert-hall vocab and describe this as a no-gimmicks sell-out gig underground with young musicians from the London Philharmonic’s Foyle Future Firsts scheme presenting two varied sets and Karadaglić headlining. And now I’ll just revert to old habits and declare the meat to be a slice of Classicism chromatically spiced (Mozart) and a 20th-century maverick pushing Neo-Baroque...

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Mahler Cycle, Philharmonia, Maazel, Bridgewater Hall, Manchester

philip Radcliffe

However, to begin at the beginning – the First Symphony in D major, first performed in 1889 in Budapest, with the composer conducting. There’s a lot to be said for giving Manchester its scoop (naturally, we don’t regard it as a dress rehearsal for the Royal Festival Hall performance tonight). In any case, Manchester had its big Mahler feast last year, when the Halle and the BBC Philharmonic joined forces to celebrate the 150th anniversary of his birth.

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Unsuk Chin Day, Barbican

Igor Toronyi-Lalic

Some of the most exciting Western classical music being composed today comes from the Far East. Composers from Japan and South Korea - possibly because they find themselves in a different intellectual cycle to us in the West - seem to be able to do things we can't. The BBC Symphony Orchestra dedicated one of their Total Immersion series to Korean Unsuk Chin, an unconventional Modernist whose relationship to melody and storytelling is refreshingly unashamed, but who, on the evidence of the...

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St Matthew Passion, The Bach Choir, Royal Festival Hall

alexandra Coghlan James Gilchrist: Wishing the speediest of recoveries to this Godfather of English vocal lyricism

As Handel’s Messiah is to Christmas so the music of Bach is to Lent. Every Passiontide churches and concert halls are flooded with performances that include everything from dainty consort renderings of the St John Passion to choral societies delivering all but symphonic St Matthew Passions. Mightiest of all, however, is The Bach Choir’s annual concert. Performed on Palm Sunday to a reliably sold-out Royal Festival Hall, it’s a fixture of over 80 years' standing and...

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Daniel Barenboim, Tate Modern

Igor Toronyi-Lalic

It had all the hallmarks of being an almighty car crash of an event. Barenboim? Chopin? Turbine Hall? You might as well have dumped the piano at the bottom of the Pacific Ocean. Actually, acoustically, it wasn't quite that bad. It sounded as if Barenboim was playing next door. Next door in France, that is. Or Germany.

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Classical CDs Weekly: Handel, Russians, Labèques, Sackbuts

graham Rickson Handel's 'Alexander's Feast': 'A celebration of the positive power of music'

There is a change to our coverage of classical CD releases. Since theartsdesk began in September 2009, we have been reviewing on a monthly basis. As of today we're switching to weekly and our round-up of the new classical albums will now appear every Saturday. To mark the change, we have a bumper helping, with Tansy Davies's new release taking a bow as our Disc of the Day. As for the rest, there's a Russian flavour – historic, idiomatic performances of Tchaikovsky...

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Emerson String Quartet, Queen Elizabeth Hall

Igor Toronyi-Lalic (Right to left) Steve Buscemi, Steve Martin, Laurel and Hardy, otherwise known as the Emerson String Quartet

Could you get a more American string quartet than the Emersons? They dress like Yanks. They play like Yanks. They're even shaped like Yanks. There's Steve Martin on viola, Steve Buscemi on cello, Laurel and Hardy on violins. The night started in true Stateside fashion, an announcer indicating the Emersons would be conducting a Q&A session from the stage after the concert. I can't imagine anyone took them up on the offer. Because, for all the trials and tribulations of their recital...

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2001: A Space Odyssey with live score, Philharmonia, de Ridder, Royal Festival Hall

David Nice

Imagine a special two-hour-plus resurrection of that wannabe extravaganza Stars in Their Eyes.

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Classical CDs Weekly: Tchaikovsky, Shostakovich, Sackbuts

graham Rickson

This week, we’ve a Russian flavour – historic, idiomatic performances of Tchaikovsky symphonies, and exciting readings of Shostakovich piano concertos. And there’s a sackbut recital…

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