Classical Reviews
Classical CDs Weekly: Ince, Previn, RossiniFriday, 24 June 2011
This week we’ve a grandiose choral work inspired by a composer’s love for the beautiful game, along with two noisily enjoyable attempts to portray physical movement in musical terms. A frighteningly young Russian soprano’s debut recital is released - a selection of flamboyant Rossini arias accompanied by a famous period instrument specialist. And there's the first recording of a new opera based on a terribly, terribly English story, composed by an American musician fondly regarded in the UK... Read more... |
BBC Cardiff Singer of the World, St David's HallMonday, 20 June 2011
The Cardiff Singer of the World may or may not be (as several of this year’s competitors seemed to think) the most important voice competition in the universe, but it must surely be the nicest. The Welsh really do believe, perhaps rightly, that they invented singing; and to hear the whole St David’s Hall uplifted in “Land of My Fathers” at the end of Sunday’s final was a heartwarming experience – almost as much as to see the four losing finalists applauding the winner, the Moldovan soprano... Read more... |
BBC Symphony Orchestra, Renes, Spitalfields MusicSaturday, 18 June 2011
Everyone in the BBCSO is a potential soloist. I know this because the course I run at the City Literary Institute linked to the orchestra has welcomed principals, duos, two string quartets and three viola foursomes (proving that department the most individual, not the dense deserving butt of many a joke). I adore these players, but I love Erwin Stein's chamber arrangement of Mahler's Fourth Symphony even more, so this was bound to be a gem. Read more... |
Classical CDs Weekly: Beethoven, Dvořák, StraussSaturday, 18 June 2011
This week we’ve a brilliant, budget-priced box of Beethoven symphonies played on authentic instruments. It’ll remind you of how much fun there is to be had with this most iconic of composers. A historical recording of a famous cellist reappears, but the best reason to listen to the disc is to hear a famous Czech conductor achieving miracles. And there’s an entertaining, educative DVD featuring a conductor who’s in his element when addressing an audience. Read more... |
Maxwell Davies's Eight Songs for a Mad King/ Birtwistle's Secret Theatre, Queen Elizabeth HallFriday, 17 June 2011
"I used to be able to run down these," whispered a wobbly 77-year-old Harrison Birtwistle to friends as he stumbled down the stairs to the Queen Elizabeth Hall stage to take his bow at last night's London Sinfonietta concert (for some inexplicable reason part of Ray Davies's Meltdown series at the Southbank). Birtwistle and his former partner-in-crime Peter Maxwell Davies - and their feral musical creations - used also to be very good at running foul of the musical establishment. For some...
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Eliane Radigue/New London Chamber Choir, London Sinfonietta, James Weeks, Spitalfields MusicWednesday, 15 June 2011
What strange goings-on at this year's Spitalfields Music festival. One church is set ablaze by a female laptop trio; another is swamped by 17th-century collectivists; one man opens up a black hole with the back of his guitar; and a harpist becomes a stick insect, taking to his instrument with two bows.
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Pires, London Symphony Orchestra, Haitink, Barbican HallTuesday, 14 June 2011
It was Groundhog Day. Murray Perahia, due to play the Schumann Piano Concerto last night under Bernard Haitink, was indisposed and at the last minute Maria João Pires rushed in with Mozart 27. Just the same happened in 2006, strangely enough, with exactly the same three artists and orchestra. As you ponder that for a coincidence, what this shows is the powerful bonds that exist between musicians, between Haitink and these two pianists, whose virtues have much in common: impeccable... Read more... |
Barenboim, Staatskapelle Berlin, Boulez, Royal Festival HallMonday, 13 June 2011
What next - Boulez and Daniel Barenboim in Tchaikovsky and Rachmaninov? The two numbered Liszt concertos are probably as far as they're going to go in lacier romantic repertoire, and last night it didn't feel far enough to justify the predictable standing ovation. Read more... |
CBSO, Rattle, Symphony Hall BirminghamMonday, 13 June 2011
There was a macabre irony at the heart of this final concert in the CBSO’s Mahler cycle in Symphony Hall. Everything was back to front. It started with a Resurrection and ended with a death. Like the universe, it began with a bang and ended, Eliot-fashion, with a whimper. And the Resurrection wasn’t even Mahler’s (that happened last month), but Messiaen’s: his Et exspecto resurrectionem mortuorum, a work which reduces redemption to sounding brass and crashing gongs. Read more... |
Classical CDs Weekly: Mahler, Schubert, StravinskyFriday, 10 June 2011
A 20th-century Austrian symphony receives a memorable first recording, coupled with a witty, rarely played slice of Schubert. Mahler’s Resurrection Symphony is heard in a powerful reading recorded in the Royal Festival Hall. And we’ve an intelligent, logical coupling of two ballets commissioned by Diaghilev. Read more... |
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