Classical Reviews
Mahler Cycle, Philharmonia, Maazel, Bridgewater Hall, ManchesterMonday, 11 April 2011
However, to begin at the beginning – the First Symphony in D major, first performed in 1889 in Budapest, with the composer conducting. There’s a lot to be said for giving Manchester its scoop (naturally, we don’t regard it as a dress rehearsal for the Royal Festival Hall performance tonight). In any case, Manchester had its big Mahler feast last year, when the Halle and the BBC Philharmonic joined forces to celebrate the 150th anniversary of his birth. Read more...
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Unsuk Chin Day, BarbicanMonday, 11 April 2011
Some of the most exciting Western classical music being composed today comes from the Far East. Composers from Japan and South Korea - possibly because they find themselves in a different intellectual cycle to us in the West - seem to be able to do things we can't. The BBC Symphony Orchestra dedicated one of their Total Immersion series to Korean Unsuk Chin, an unconventional Modernist whose relationship to melody and storytelling is refreshingly unashamed, but who, on the evidence of the...
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St Matthew Passion, The Bach Choir, Royal Festival HallSunday, 10 April 2011
As Handel’s Messiah is to Christmas so the music of Bach is to Lent. Every Passiontide churches and concert halls are flooded with performances that include everything from dainty consort renderings of the St John Passion to choral societies delivering all but symphonic St Matthew Passions. Mightiest of all, however, is The Bach Choir’s annual concert. Performed on Palm Sunday to a reliably sold-out Royal Festival Hall, it’s a fixture of over 80 years' standing and... Read more... |
Daniel Barenboim, Tate ModernSaturday, 09 April 2011
It had all the hallmarks of being an almighty car crash of an event. Barenboim? Chopin? Turbine Hall? You might as well have dumped the piano at the bottom of the Pacific Ocean. Actually, acoustically, it wasn't quite that bad. It sounded as if Barenboim was playing next door. Next door in France, that is. Or Germany.
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Classical CDs Weekly: Handel, Russians, Labèques, SackbutsFriday, 08 April 2011
There is a change to our coverage of classical CD releases. Since theartsdesk began in September 2009, we have been reviewing on a monthly basis. As of today we're switching to weekly and our round-up of the new classical albums will now appear every Saturday. To mark the change, we have a bumper helping, with Tansy Davies's new release taking a bow as our Disc of the Day. As for the rest, there's a Russian flavour – historic, idiomatic performances of Tchaikovsky... Read more... |
Emerson String Quartet, Queen Elizabeth HallFriday, 08 April 2011
Could you get a more American string quartet than the Emersons? They dress like Yanks. They play like Yanks. They're even shaped like Yanks. There's Steve Martin on viola, Steve Buscemi on cello, Laurel and Hardy on violins. The night started in true Stateside fashion, an announcer indicating the Emersons would be conducting a Q&A session from the stage after the concert. I can't imagine anyone took them up on the offer. Because, for all the trials and tribulations of their recital...
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2001: A Space Odyssey with live score, Philharmonia, de Ridder, Royal Festival HallThursday, 07 April 2011
Imagine a special two-hour-plus resurrection of that wannabe extravaganza Stars in Their Eyes. Read more... |
Classical CDs Weekly: Tchaikovsky, Shostakovich, SackbutsSaturday, 02 April 2011This week, we’ve a Russian flavour – historic, idiomatic performances of Tchaikovsky symphonies, and exciting readings of Shostakovich piano concertos. And there’s a sackbut recital… Read more... |
Murray Perahia, Barbican HallWednesday, 30 March 2011
Last night Murray Perahia played Bach, Beethoven, Brahms, Schumann and Chopin, and we heard, quite simply, Bach, Beethoven, Brahms, Schumann and Chopin. Nothing more need be said, if one follows the Cordelia principle to love, and be silent. Read more... |
Soloists of the Bavarian Radio Symphony Orchestra, Uchida, QEHMonday, 28 March 2011
There is always a moment after you've mauled a musician in review when guilt bubbles to the surface. Your inner nursery school teacher (the little voice that thinks potato prints deserve Nobel Prizes) starts tugging at your conscience. This spell of wussiness is invariably broken by the arrival of someone who shows you just what can be done when care and intelligence are applied to a performance.
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