sun 29/06/2025
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stephen walsh

Bio
Stephen is a former Observer music critic and a regular contributor to The Times, Daily Telegraph, Financial Times, Independent and the BBC. He is the author of a major biography of Stravinsky and other books on Stravinsky, Bartók and Schumann. He holds a chair in music at Cardiff University.

Articles By Stephen Walsh

Mazeppa, Grange Park Opera review - a gripping reassessment

Monday, 16 June 2025 Read more...

Peter Grimes, Welsh National Opera review - febrile energy and rage

Tuesday, 08 April 2025 Read more...

Uproar, Rafferty, Royal Welsh College, Cardiff review - colourful new inventions inspired by Ligeti

Sunday, 16 March 2025 Read more...

The Marriage of Figaro, Welsh National Opera review - no concessions and no holds barred

Saturday, 08 February 2025 Read more...

Il trittico, Welsh National Opera review - welcome back (but not a good sign)

Tuesday, 01 October 2024 Read more...

Rigoletto, Welsh National Opera review - back to what they do best

Monday, 23 September 2024 Read more...

Il Trittico, Welsh National Opera review - another triumph for a hard-pressed company

Monday, 17 June 2024 Read more...

The Merry Widow, Glyndebourne review - fun and frolics in the Embassy

Tuesday, 11 June 2024 Read more...

Così fan tutte, Welsh National Opera review - relevance reduced to irrelevance

Tuesday, 27 February 2024 Read more...

Uproar, Rafferty, Royal Welsh College, Cardiff review - a rare spring in the new music step

Saturday, 24 February 2024 Read more...

BBC National Orchestra of Wales, Martin, Hoddinott Hall, Cardiff review - a host of horns in the wild woods

Monday, 15 January 2024 Read more...

La Traviata, Welsh National Opera review - memorable revival, unforgettable lead

Saturday, 23 September 2023 Read more...

Ainadamar, Welsh National Opera review - hits hard without breaking ground

Monday, 11 September 2023 Read more...

The Pilgrim's Progress, Three Choirs Festival review - revelatory performance by young musicians

Friday, 28 July 2023 Read more...

theartsdesk at The Three Choirs Festival - Elgar, Vaughan Williams and Hammond

Tuesday, 25 July 2023 Read more...

The Bartered Bride, Garsington Opera review - brilliant revival of a comedy of cruelty

Monday, 03 July 2023 Read more...

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Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...

Album: JF Robitaille & Lail Arad - Wild Moves

Around eight years ago, London singer-...

Alfred Brendel 1931-2025 - a personal tribute

Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last year or...

Chicken Town review - sluggish rural comedy with few laughs...

Fans of the character comedian Graham Fellows will possibly turn up for this British film starring the man who created the punk parody...

Album: Lorde - Virgin

Lorde’s trajectory is continually fascinating. From the minimalist, sparse electropop of Pure Heroine to the similar but more grandiose...