Visual Arts Reviews
Lucian Freud: Portraits, National Portrait GalleryWednesday, 08 February 2012
Sitting for Lucian Freud was quite a commitment. Unlike Hockney, whom he painted and who painted him, Freud was a very slow painter and he was methodical. Paying close attention to detail and absorbed by different textures, he was intent on building up surfaces meticulously, layer upon layer. This meant that sessions would usually go on for several months, sometimes years. Read more... |
Migrations: Journeys into British Art, Tate BritainFriday, 03 February 2012
Billed as an exploration of the contribution made by immigrants to British art, Migrations is ridiculously ambitious. Starting with the sixteenth century, it hops and skips through to the present day, inevitably leaving out a lot of people on the way. Hans Holbein who settled here in 1532 and, as the King’s Painter, produced that splendidly iconic portrait of Henry VIII, which establishes the monarch’s authority by making him look as square and solid as a rock, is not included. Read more... |
David Shrigley: Brain Activity, Hayward GalleryThursday, 02 February 2012
It has been nearly a century since modernism decreed that “art” is whatever is produced by an artist, and “an artist” is whoever claims to be one. Mostly I agree with this, and my eyeballs tend to roll back in my head when the conversation moves on to the “my three-year-old could do this” refrain. But I’ve got to say, with David Shrigley, a lot of me spent a lot of time in the Hayward thinking, “Um, is this art?” Read more... |
Turner and the Elements / Hamish Fulton: Walk, Turner ContemporaryMonday, 30 January 2012
Turner and the Elements is a visual joy and an intellectual pleasure. The backbone of the selection is Turner’s genuine engagement with the scientists of the day. The argument is that he amalgamated the traditional segregation of the elements – earth, air, fire and water – into a fusion of all four; that technically, instead of schematic compositions divided into discernable sections and monocular viewpoints, he painted, so to speak, from the centre out. Read more... |
Jane McAdam Freud: Lucian Freud My Father, Freud MuseumThursday, 26 January 2012
In one small room of the Freud Museum, which was once the home of Sigmund in the last year of his life, are the works Jane McAdam Freud made in the final months of her father’s life. Below an imposing photograph of Freud the elder, the progenitor of the clan, are two detailed, tender sketches of Lucian in profile. In the right sketch the dying artist stares resolutely ahead, his gaze, coupled with the firm set of his jaw, capturing a sense of absolute stillness. Read more... |
David Hockney: A Bigger Picture, Royal AcademyWednesday, 18 January 2012
These are, we are told, David Hockney's landscape works, and in that they depict the outdoors - early Grand Canyons and LA scenes, Yorkshire from the Nineties to now - that is correct. As a description, however, it comes nowhere near encapsulating the mystical, profound, plain beautiful pictures presented at the Royal Academy. Read more... |
Scott’s Last Expedition, Natural History MuseumWednesday, 18 January 2012
It’s safe to say that the diary of Tryggve Gran does not capture the mood of this centenary exhibition. “This life is of little interest," he wrote; "one day is just as monotonous as the next.” Gran was the Norwegian hired by Captain Scott to teach his men to ski and was in the party which discovered the frozen bodies of Scott, Edward Wilson and "Birdie" Bowers. Read more... |
2011: Where the Hell Was Now?Monday, 02 January 2012
2011 was a year when now was difficult to find. The YBA/heroic monetarist era was definitively over – though Tracey Emin was accorded a far better retrospective than she deserved at the Hayward (see image below right). Read more... |
2011: The British Are ClimbingSaturday, 31 December 2011
My Top 10 movies of 2011, in order, are: Mysteries of Lisbon, Melancholia, Meek’s Cutoff, A Dangerous Method, Aurora, Hugo, The Princess of Montpensier, City of Life and Death, The Descendants, Midnight in Paris. Read more... |
2011: From Russia - With Love?Saturday, 31 December 2011
It took a relatively little-noticed television documentary, Vlad’s Army, broadcast in Channel 4’s Unreported World strand to confirm that theartsdesk has a readership in Russia. Peter Oborne’s film (the presenter pictured below) caught the pro-Kremlin youth movement, the Nashi, with its defences down, and the result depicted, no holds barred, how politics works there today. Read more... |
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