sat 28/06/2025

Marina Vaizey

Marina Vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Pioneering Women, Oxford Ceramics Gallery online review - domestic pleasures

Read more...

Hold Still, National Portrait Gallery review - snapshots from lockdown

Read more...

Extinction: The Facts, BBC One review - David Attenborough tells a devastating story

Read more...

William Feaver: The Lives of Lucian Freud: Fame 1968-2011 review - mesmerising, exhaustive and obsessively detailed

Read more...

George IV: Art & Spectacle, The Queen's Gallery review - all is aglitter

Read more...

Vincent van Gogh: the reader and the writer

Read more...

Bears About the House, BBC Two review - uphill struggle to save hunted animals

Read more...

Tutankhamun in Colour, BBC Four review - amazing enhanced images bring fabled Pharaoh to life

Read more...

The World's Greatest Paintings, Channel 5 review - enthusiastic presenter but no dazzling revelations

Read more...

John Grisham: Camino Winds review - morality tale with a light touch

Read more...

Caroline Maclean: Circles and Squares review - adventurous art, progressive living and a good gossip

Read more...

Grayson's Art Club, Channel 4 review - too many clichés and platitudes?

Read more...

Don Winslow: Broken review - a staggering crash course in the possibilities of crime

Read more...

Mark Kermode's Secrets of Cinema, BBC Four review - the undying allure of the spying game

Read more...

Sam Bourne: To Kill a Man review – the woman who fought back

Read more...

Taking Control: The Dominic Cummings Story, BBC Two review - disruptive political maverick eludes pigeonholing

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...

Alfred Brendel 1931-2025 - a personal tribute

Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last year or...

Chicken Town review - sluggish rural comedy with few laughs...

Fans of the character comedian Graham Fellows will possibly turn up for this British film starring the man who created the punk parody...

Album: Lorde - Virgin

Lorde’s trajectory is continually fascinating. From the minimalist, sparse electropop of Pure Heroine to the similar but more grandiose...

Aldeburgh Festival, Weekend 2 review - nine premieres, three...

Actually it was a Thursday evening to Saturday experience, but what riches in seven concerts. The only Britten I heard was one of the S...