Visual Arts Reviews
British Design 1948 - 2012: Innovation in the Modern Age, Victoria & Albert MuseumWednesday, 04 April 2012
The V&A has played a blinder. This extraordinary, exciting and unexpected exhibition provides endless trips down memory lane for many and will be a revelation for others. Ignore the clunky title, moving us from the postwar Olympics of 1948 to Olympic year 2012, and just go. Read more... |
Damien Hirst, Tate ModernTuesday, 03 April 2012
How long will it take for the penny to finally drop and to know we’ve been had all along? Months? Years? Ten years? Twenty? Will it really take that long before we come to our senses, and to wonder at our own gullibility? I’m talking not of Damien Hirst, who some now imagine has been conning us all for years, but of the execrable Lady Gaga. Yes, Gaga must be “exposed”! For is pap in pop really any lesser crime than art pap? Read more... |
Rose Wylie, Jerwood Gallery, HastingsFriday, 30 March 2012
The Jerwood Gallery on Stade beach in Hastings has so far had a fraught if very short history. Local opposition, largely from the neighbouring fishing community, have campaigned relentlessly against the gallery, fearing that it would ruin the Stade's rustic charm and bring little or no benefit to most locals. Read more... |
Gillian Wearing, Whitechapel GalleryWednesday, 28 March 2012
The first major retrospective of the videos, photographs and sculptures of Gillian Wearing is a deeply disturbing experience. Her videos can be just a few minutes, or as long as an hour, but are not sequential narratives. They can be dipped in and out of - unlike many video artists you do not have to acquiesce to her time scale. But take a lot of time: they are more than worth it, and repay repeated viewings. Read more... |
Turner Inspired: In the Light of Claude, National GalleryFriday, 16 March 2012
The British grand tourists not only fell in love with Italy. They fell in love with the landscapes of 17th-century ex-pat artist Claude Lorrain (1604/5-1682), depicting the Roman campagna in which the gods disported themselves. JMW Turner (1775-1851) also fell for the Frenchman, whose work he had seen in significant stately homes while visiting his patrons. Read more... |
Louise Bourgeois: The Return of the Repressed, Freud MuseumMonday, 12 March 2012
Louise Bourgeois tirelessly, obsessively documented her 32 years of psychoanalysis. Read more... |
Johan Zoffany: Society Observed, Royal AcademyFriday, 09 March 2012
Royal families and royal academies. Aristocrats at ease in exquisitely landscaped gardens or inside in gorgeous drawings rooms. Actors emoting, notably Sir David Garrick and his troupe. Nabobs in India. All are depicted in Johan Zoffany’s rivetingly detailed paintings of Georgian society. Read more... |
AV Festival, Newcastle/ Heiner Goebbels's Surrogate Cities, RFH/ London Contemporary Orchestra, Brunt, The RoundhouseMonday, 05 March 2012
It's often more fun on the margins. The pickings are richer. The view is clearer. You can take aim easier. The AV Festival has spent more than eight years here, on the counter-cultural edges, delving into the divisional cracks between art, music and film. Read more... |
Mixed Media, Haunch of VenisonMonday, 05 March 2012
Group shows can be strained: the rubric can be so narrow that it has to be stretched to accommodate the artists at hand. That is one reason why Haunch of Venison's new show, Mixed Media, is so pleasing: it features contemporary sculpture with an emphasis on the varied materials in use today, a capacious but not unlimited mission. The other reason is that the work is just damned good. Read more... |
Alighiero Boetti: Game Plan, Tate ModernFriday, 02 March 2012
Two superb exhibitions at Tate Modern bring into public view the work of Japanese artist Yayoi Kusama and Italian conceptualist Alighiero Boetti; their work is not in any way connected except that, with their singular voices, each deserves much broader recognition. Read more... |
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