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The Renaissance Unchained, BBC Four

Marina Vaizey Tuesday, 16 February 2016

Waldemar Januszczak always has a provoking agenda to shape his now nearly countless forays into television art history. In this four-part series he's out to challenge what he sees as the unthinking acceptance of the one-dimensional traditional and monopolistic version of the Renaissance.

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Deutschland 83, Series Finale, Channel 4

Tom Birchenough Monday, 15 February 2016

Martin Rauch-stroke-Moritz Stamm, the reluctant spy who by the end of the final, double episode of this eight-parter had achieved more than most in that profession, managed the ultimate last night: he came in from the cold. In a series whose refrain could almost have been “You can’t go home again”, there he was back at the domestic hearth as if nothing had happened (except that his mother Ingrid was healed). Idyllic ending?

The Easybeats to AC/DC: The Sound of Aussie Rock, BBC Four

Barney Harsent Saturday, 13 February 2016

Australia has long been a country shaped by its arrivals and, as this BBC4 documentary set out to show, so it was with rock music. Using the twin journeys of the Albert family from Switzerland and the Youngs from Scotland, it went on to map out the particular path that would eventually lead AC/DC on to global domination. The Youngs, you see, included guitarists Angus, Malcolm and George.

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Happy Valley, Series 2, BBC One

Jasper Rees Wednesday, 10 February 2016

“It’s routine, it’s procedure.” “It’s wank, it’s toss.” As you can tell, Happy Valley is back. If Sally Wainwright made bespoke ironmongery or dry stone walls or exceedingly good cakes, her work would come by royal appointment.

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Horace and Pete

Barney Harsent Wednesday, 10 February 2016

“Warning: this show is not a ‘comedy,’” wrote comedian Louis CK in an email alerting fans to the impending arrival of the second episode of his new show, Horace and Pete. “I dunno what it is. It can be funny. And also not. Both. I believe that ‘funny’ works best in its natural habitat. Right in the jungle along with ‘awful’, ‘sad’, ‘confusing’ and ‘nothing.’”

The X-Files, Channel 5

Lisa-Marie Ferla Tuesday, 09 February 2016

It’s 2016, and The X-Files is the most popular TV show in the world. The very idea that over 20 million people in the US would tune in to a new episode of the pioneering sci-fi drama 14 years after the last one might seem as preposterous as the conspiracy theories the show put forward in its later years, but it was probably more likely than fans in the UK hanging on for the fortnight it took for the new episodes to show up on Channel 5.

War and Peace, Series Finale, BBC One

David Nice Monday, 08 February 2016

At the end of Episode Five, Brian Cox's savvy old Field-Marshal Kutuzov gave the order to retreat and abandon Moscow, with hardly a hint of Tolstoy's council of war.

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Cats v Dogs, BBC Two

Marina Vaizey Friday, 05 February 2016

This slightly ludicrous programme is really a chance to see a charming range of dogs and cats, based on an assumption that by comparing cats and dogs we humans can decide which species is best. But best for what? As pets, domestic companions, survivors in the human jungle?

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Camila's Kids Company: The Inside Story, BBC One

Adam Sweeting Thursday, 04 February 2016

In 2005, Lynn Alleway made a film about Kids' Company founder Camila Batmanghelidjh called Tough Kids – Tough Love. In June last year, Alleway was invited to film her again. It wasn't spelled out in this new documentary, but you'd have to assume Batmanghelidjh was hoping to enlist some sympathetic media coverage, since the management and funding of Kids Company was coming under a gathering crescendo of scrutiny.

Rise of the Superstar Vloggers, BBC Three

Jasper Rees Tuesday, 02 February 2016

This debate about the future of the BBC might be missing the point. In the black corner scowls the Dark Lord of Swingeing Arts Cuts John Whittingdale, while in the fluffy corner is everyone who doesn’t want anything to change. By their “I heart Lyse Doucet” shall you know the latter. We’re all of us, on both sides of the fence, of a certain vintage. The kids, who like it or not seem an absolute dead-cert shoo-in to inherit the future, haven’t got a dog in this fight. Why?