mon 16/06/2025

Theatre Reviews

When Winston Went to War with the Wireless, Donmar Warehouse review - lively, but messy

aleks Sierz

Can things change, or must they always stay the same? The latest history play by Jack Thorne, a man of the moment whose Harry Potter and the Cursed Child is still in the West End and whose National Theatre hit The Motive and the Cue will transfer in December, revisits the early history of the BBC to show how current tensions between public service impartiality and political expediency have a long backstory.

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A Playlist for the Revolution, Bush Theatre review - idealism meets reality head-on

Helen Hawkins

The revolution in the title of AJ Yi’s new play at the Bush is the one activists hoped to set in motion in Hong Kong in 2019, when China’s stewardship was increasingly restricting their civil liberties.

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The Swell, Orange Tree Theatre review - mind-bending romantic drama

aleks Sierz

There are some songs, and singers, that make your heart swell.

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Song from Far Away, Hampstead Theatre review - gentle monologue from a man grappling with grief

Helen Hawkins

Lucky Will Young: the production of the Simon Stephens monologue Song from Far Away that he is delivering at the Hampstead Theatre is directed by Kirk Jameson, not Ivo van Hove.

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A Strange Loop, Barbican review - Black queer musical with confusing concept but an excellent lead

Helen Hawkins

If you are going to see A Strange Loop, the new American musical trailing a Tony Award and a Pulitzer Prize that has arrived at the Barbican, here’s a checklist of topics to make sure you are on top of first: intersectionality, Harriet Tubman, Marcus Garvey, gospel plays, James Baldwin, the Chitlin’ Circuit, bell hooks, the back catalogue of Tyler Perry. Especially Tyler Perry.

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Theatre at Glastonbury Festival 2023 - so big and wild a hallucination, you're always left wanting more

Anya Ryan

And that’s it again for another year. Oh Glastonbury. A fever dream where the time of reality stops as you hop on a ride to a land of magic.

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Stumped, Hampstead Theatre review - Beckett and Pinter, waiting for Doggo

Gary Naylor

Much of cricket comprises waiting – you wait on the boundary to hear news of the toss, you wait your turn to bat, you heed the call of your batting partner to wait to see if a run is on, you wait for the rain to stop. A friend once told me that he played cricket in order to make the rest of his life seem more interesting. There is something in that observation that would appeal to both principals in this play for sure.

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Robin Hood. The Legend. Re-written, Regent's Park Open Air Theatre review - no bullseye for new take on familiar characters

Gary Naylor

After the pantos, the movies (epic, camp and animated) and the television series, is there anything new to be mined in the story of Robin Hood? Probably not, as this messy, misjudged show takes that hope and fires an arrow through its heart.

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The Pillowman, Duke of York’s Theatre review - starry but slack

aleks Sierz

British theatre is getting a bit timid – is that right? Ahead of the opening of this revival of Martin McDonagh’s unforgettable 2003 masterpiece, The Pillowman, its director Matthew Dunster has spoken of the tendency of playwrights and theatres to self-censor nowadays for fear of giving offence. Everyone is getting a bit worried about being cancelled or trolled or attacked for unacceptable opinions.

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Mrs Doubtfire, Shaftesbury Theatre review - bold musical makeover of the hit comic film

Helen Hawkins

The heart sinks (mine does, anyway) as the latest film-to-musical adaptation rolls into town, all with similar sound-worlds, exemplary hoofing and lively stagings. They are handy audience-bait, oven-ready stories. People go to see how the creative team are going to render the film’s main achievements, though not to be that surprised: the show must go on as it did before, with all the familiar tropes.

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Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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