Theatre Reviews
Passing, Park Theatre review - where do we go from here?Monday, 20 November 2023
“It’s nothing like Christmas,” Rachel (Amy-Leigh Hickman) hisses at her brother David (Kishore Walker). She’s trying to wrangle her family into their first ever Diwali celebration, but everything’s going wrong. Her dad Yash (Bhasker Patel) is getting on far too well with her boyfriend Matt (Jack Flammiger). And to top it off, mum Ruth (Catherine Cusack) has found everything but the most important item on Rachel’s meticulous shopping list: the matches. Read more... |
Feeling Afraid As If Something Terrible Is Going To Happen, Bush Theatre review - charismatic stand-up routineFriday, 17 November 2023
The Comedian runs, bounces even, onto the stage. The audience immediately applauds. He seizes the mic and makes self-deprecatory gestures. Then he rubs the mic stand suggestively. We laugh. When he turns around we can see a laughing mouth printed on the back of his shirt. It’s Samuel Barnett – former history boy and star of stage and screen – and the audience instantly warms to him. He’s that kind of guy. Read more... |
Shakespeare: Rise of a Genius, BBC Two review - the Bard's soul bared in hybrid drama-documentaryWednesday, 15 November 2023
Four centuries on from the publication of the First Folio, is there anything new to be said about William Shakespeare? Read more... |
The Time Traveller's Wife, Apollo Theatre review - blockbuster 2003 novel does not quite land as blockbuster 2023 musicalMonday, 13 November 2023
You really don’t want to pick up The Time Traveller’s Wife in a game of charades. Half the clock would be run down just showing that it’s a novel, a film, a TV series and a musical. Read more... |
Nineteen Gardens, Hampstead Theatre Downstairs review - intriguing, beautifully observed two-hander tilts power this way and thatSaturday, 11 November 2023
A middle-aged man, expensively dressed and possessed of that very specific confidence that only comes from a certain kind of education, a certain kind of professional success, a certain kind of entitlement, talks to a younger woman. Despite the fact that she isn’t really trying, she’s attractive, bright and just assertive enough to weave a spell of fascination over men like him, with a tinge of non-dangerous exoticism evidenced by her East European accent to round things out... Read more... |
Mates in Chelsea, Royal Court review – silly rather than satiricalFriday, 10 November 2023
As Christmas looms, ’tis the season for comedy. And even the traditionally austere Royal Court feels obliged to join in. So here we go again with the same team — writer Rory Mullarkey and director Sam Pritchard — who brought the colourfully cartoonish Pity to this venue in 2018. Read more... |
Backstairs Billy, Duke of York's Theatre review - starry and gently subversive, tooWednesday, 08 November 2023
Rarely has a play's opening been so opportune. Just when it looked as if the West End was slipping into decline, along comes the smart, shrewd Backstairs Billy to allay mounting fears of late that the commercial theatre had lost all sense of quality control. (The offending titles know who they are.) Read more... |
To Have and To Hold, Hampstead Theatre review - funny but flawedWednesday, 08 November 2023
There’s only a couple of things you need to know about playwright Richard Bean: he started out as a stand-up comic, and he comes from Hull. Oh, and he wears Hawaiian shirts to press nights. So that’s three things. Oh, and that his masterpiece One Man, Two Guvnors (a populist farcical version of Carlo Goldoni’s Servant of Two Masters) was a global megahit. Read more... |
The Interview, Park Theatre review - Martin Bashir's comeuppanceSaturday, 04 November 2023
Journalism is a despised profession. And when you consider the story behind the interview that Diana, Princess of Wales, gave to BBC journo Martin Bashir in 1995 you can see why. As anyone who follows current affairs knows, it has been revealed that Bashir used less than honest methods to get this scoop and the whole sorry process has once again thrown an ugly light on the BBC as an institution. Read more... |
FLIP!, Summerhall Edinburgh review - sassy, satirical parableFriday, 03 November 2023
You can almost feel the energy blazing off the stage in this fast, furious and fiercely funny two-hander from writer Racheal Ofori and Newcastle-based Alphabetti Theatre. Don’t blink or you’ll miss a crucial plot twist, or a nifty swerve into new characters, or even a major technological development. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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