Theatre Reviews
Macbeth, The Depot, Liverpool review - Ralph Fiennes leads a conventional production in an unconventional spaceFriday, 01 December 2023
Next door to the beautiful Art Deco Littlewoods Pools Building, nearly 30 years standing derelict, a set of grey sheds stand, a seat of potential for Liverpool’s nascent film industry. Nearly a century ago, the long, white, towered construction in which the next "Spend! Spend! Read more... |
Peter Pan Goes Wrong, Lyric Theatre review - adult panto delivered as jolly chaosFriday, 01 December 2023
Mischief Theatre set themselves a big challenge when they evolved their brand of knowing slapstick. And not just about how to destroy the scenery without maiming themselves. More crucially, they have to pull off the Janus-faced trick of playing the amateur actors of the Cornley Polytechnic Drama Society, indicated below in quotation marks, while getting the audience to applaud their brilliance. Mostly they succeed. Read more... |
The House of Bernarda Alba, Lyttelton Theatre review - dazzling darknessThursday, 30 November 2023
Rebecca Frecknall opened 2023 with a youthful, visceral, and brutal Streetcar Named Desire at the Almeida; she ends it with another startlingly vigorous adaptation, again of a play in which women are abused by men both physically and psychologically. Read more... |
Odyssey: A Heroic Pantomime, Charles Court Opera, Jermyn Street Theatre review - topsy-turvy HomerWednesday, 29 November 2023
This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and greeted with joyful groans. To say it’s no epic is a compliment: Charles Court Opera’s boutique pantos rely upon perfect focus in small spaces, and this is a tight little craft, with five brilliant women firing up director/writer John Savournin’s script and David Eaton’s musical arrangements. Read more... |
A Christmas Carol, The Old Vic review - older, wiser, and yet more movingTuesday, 28 November 2023
Familiarity has bred something quite fantastic with the Old Vic Christmas Carol, which is back for a seventh season and merits ringing all available bells - those and a lost love called Belle being crucial to the show. Matthew Warchus's staging at this point seems a seasonal imperative, and in a wild-haired Christopher Eccleston, Jack Thorne's adaptation of Dickens's 1843 call to empathic arms has its most emotionally piercing and resonant leading man yet. Read more... |
The Witches, National Theatre review - fun and lively but where's the heart?Monday, 27 November 2023
The National Theatre these days seems to be going from hit-to-hit, with transfers aplenty and full houses at home. And there's every reason to expect that this fizzy adaptation of Roald Dahl's 1983 creep-out, The Witches, has the West End and further in its sights. Read more... |
Oh What A Lovely War, Southwark Playhouse review - 60 years on, the old warhorse can still bare its teethMonday, 27 November 2023
In Annus Mirabilis, Philip Larkin wrote,
In nineteen sixty-three (Though just too late for me) – Between the end of the "Chatterley" ban And the Beatles' first LP." Read more... |
Ghosts, Sam Wanamaker Playhouse review - a claustrophobic descent into purgatoryFriday, 24 November 2023
Henrik Ibsen may well have wanted to shake things up, to rile against the social mores of his time. But his visionary critiques didn’t usually come with anything as radical as, say, optimism. And there’s no more of a downer than Ghosts. Read more... |
She Stoops to Conquer, Orange Tree Theatre review - much-loved classic rumbustiously updatedThursday, 23 November 2023
Oliver Goldsmith was a literary all-rounder – novelist, poet and playwright – remembered chiefly for one example of each discipline, respectively The Vicar of Wakefield, "The Deserted Village" and, of course, above all, She Stoops to Conquer. Read more... |
The Mongol Khan, London Coliseum review - unique operatic spectacle utterly overwhelms flaws in pacing and storyWednesday, 22 November 2023
“But that’s what they’re paying for!” replied my son as we, a little shellshocked by the previous three hours, skirted Trafalgar Square on the way home. I had reservations about some key components of the alchemy that produces great theatre, but none about the spectacle, even more impressive (as we subsequently agreed) than the big Cirque du Soleil extravaganzas that cost a helluva lot more for a seat in Vegas. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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