sun 15/06/2025

Theatre Reviews

It's Headed Straight Towards Us, Park Theatre review - indigestible mix of fact and fiction

Helen Hawkins

An impressive performance by Samuel West as one of two warring hams stuck on-set in a trailer over a not-so-dormant volcano in Iceland, endlessly waiting to shoot their scene and go home, tended by a young runner whose woke values soon clash with their antediluvian ones...

Read more...

The White Factory, Marylebone Theatre review - what price dignity in hell?

Ismene Brown

This powerful play’s immediate backstory, with Moscow sentencing its author to eight years’ jail and its director going into forced exile, is not its immediate theme – and all the better for it, for how can anyone yet make any authentic dramatic reflection on Putin’s war on Ukraine?

Read more...

Pygmalion, Old Vic review - zappy wit and emotional intelligence

David Nice

Many of us have perhaps grown too accustomed to the friendly face of My Fair Lady. George Bernard Shaw’s very original play is sharper, less sentimental yet ultimately more profoundly human. Its wit and wisdom zip along in Richard Jones’s symmetrical, perfectly calibrated production, with three astonishing performances and two climactic scenes, one in each half, which respectively make you (me) cry with laughter and bring a tear to the eye at choice moments.

Read more...

anthropology, Hampstead Theatre review - AI thriller runs out of code

Demetrios Matheou

With more than 20 plays under her belt, San-Francisco based Lauren Gunderson is one of the most produced playwrights in the US. But she’s chosen London to premier her very topical new thriller

Read more...

The Little Big Things, @sohoplace review - real-life story movingly realised onstage

Paul Vale

It's rare that a new musical or play opens in the West End with as much positive word-of-mouth as The Little Big Things. Social media has been ablaze over the last few weeks, with critics and bloggers sneaking into previews and authoritative big names hailing a new hit long before the official press night.

Read more...

The Old Man and the Pool, Wyndham's Theatre - Mike Birbiglia makes a big splash

Helen Hawkins

Few comedians are such good company that you never want them to stop. The young Billy Connolly was one such; affable American Mike Birbiglia is another. 

Read more...

The Father and the Assassin, National Theatre review - Gandhi's killer given an outstanding star turn

Jane Edwardes

From the moment that the blood-stained Nathuram Godse rises out of the floor of the National Theatre's Olivier stage and demands ‘What are you staring at?

Read more...

That Face, Orange Tree Theatre review - in-yer-face family drama

aleks Sierz

Playwright Polly Stenham MBE had a meteoric rise with this play, her award-winning 2007 debut which she wrote aged 19 and whose original Royal Court cast featured Lyndsay Duncan and Matt Smith, and earned a much-lauded West End transfer.

Read more...

Infamous, Jermyn Street Theatre review - Lady Hamilton challenges the patriarchy and loses

Gary Naylor

Towards the end of the 18th century, Lady Emma Hamilton (like so much in this woman's life, hers was a title achieved as much as bestowed) was the “It Girl” of European society.

Read more...

Private Lives, Ambassador's Theatre review - classy revival lacking physical excess

Heather Neill

There is a grainy piece of black and white film on YouTube featuring Noel Coward as the celebrity guest on a 1964 edition of the popular television panel show, What's My Line. He signs in with panache, paying careful attention to the diaeresis over the e in Noel and enveloping his first name with a stylish C from the second.

Read more...

Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Pilot - The Singles Collection

"It was really strange. Really quite conflicting, the sort of thing most bands didn't have to deal with. At the front, we'd have the kids who'd...

Tornado review - samurai swordswoman takes Scotland by storm

The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a barren forest...

Hamlet Hail to the Thief, RSC, Stratford review - Radiohead...

The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten...

Lollipop review - a family torn apart

On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review...

I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown away by the...

Album: The Young Gods - Appear Disappear

Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in their old age. These...

Jane Austen Wrecked My Life review - persuading us that the...

Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the...

The King of Pangea, King's Head Theatre review - grief...

There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...

Album: Sam Binga - Sam Binga Presents Club Orthodontics

When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...