Theatre Reviews
Crazy For You, Open Air Theatre, Regent's ParkTuesday, 09 August 2011
"Drop that long face," we're urged during the end of the giddy Regent's Park revival of Crazy For You, and if ever there were a time for such sentiments, it came during the lockdown that London remained under during the all too aptly cloud-filled evening that saw the Open Air Theatre not quite full. Read more... |
theartsdesk MOT: Journey's End, Duke of York's TheatreMonday, 08 August 2011
“There’s nothing worse than dirt in your tea,” opines one of the stoic officers in RC Sherriff’s First World War drama. It’s a pronouncement, emitted from beneath a stiff upper lip, of courageous cheeriness in the face of circumstances so brutal, so horrifying, so obscenely soaked in blood and suffering and futility, that taking refuge in mundane routine is one of very few available comforts. Read more... |
Double Feature: Edgar & Annabel/The Swan, Nightwatchman/There is a War, National TheatreFriday, 05 August 2011
It’s not much of an exaggeration to suggest that new plays by up-and-coming talents are something of an Achilles heel at the National Theatre. Even Mike Bartlett’s much lauded Earthquakes in London was a far more exciting production than it was a play, while ... Read more... |
Blue Surge, Finborough TheatreThursday, 04 August 2011
Rebecca Gilman is an American playwright who once made a big splash in London. After having work such as The Glory of Living, Spinning into Butter, Boy Gets Girl and The Sweetest Swing in Baseball staged at the Royal Court Theatre in the first five years of the new millennium, she then disappeared from view. Read more... |
The Syndicate, Chichester Festival TheatreWednesday, 03 August 2011
Halfway through Sean Mathias’s gripping new production of The Syndicate, Ian McKellen’s Don Antonio Barracano reaches for his hat, stick and gloves and heads out through the olive groves to "make [a man] an offer". He looks and sounds like a nice old gent setting out for an afternoon stroll. Unless, of course, you’re passingly acquainted with The Godfather. Read more... |
theartsdesk MOT: The Mousetrap, St Martin's TheatreSunday, 31 July 2011
A blackout, a snowstorm, a scream, and there you have it – the longest-running play of all time. The mystery of The Mousetrap is legendary, preserved by a code of silence that bonds all those who have performed and watched this classic whodunnit. Yet greater even than this is surely the enigma of how so generic, so unassuming a play should come to endure so persistently. Read more... |
The Rattigan Enigma, BBC FourFriday, 29 July 2011
In a recent article, David Hare complained about “a national festival of reaction” in the arts, exemplified by such supposedly Establishment-leaning works as The King’s Speech and Downton Abbey. His real target was Terence Rattigan, currently being hailed in many quarters as a national theatrical treasure enjoying a renaissance in this centenary year of his birth. Read more... |
Rattigan's Nijinsky/ The Deep Blue Sea, Chichester Festival TheatreTuesday, 26 July 2011
Terence Rattigan’s art of concealment is what makes The Deep Blue Sea so rich and true an observation of the way people behave. Being deprived of his concealing mask is the crucial idea of the interesting new play partnering it at Chichester to mark Rattigan's centenary: Nicholas Wright’s Rattigan’s Nijinsky, which incorporates an unproduced Rattigan TV script into a drama of why it was not produced. Read more... |
theartsdesk MOT: Anne Boleyn, Globe TheatreMonday, 25 July 2011
In the spirit in which these reviews are intended, I can report that all the bits of Anne Boleyn are working. The chrome is gleaming; all cylinders are firing. It’ll be good – roadworthy, Globe-worthy – for another year at least. Read more... |
Mongrel Island, Soho TheatreThursday, 21 July 2011
Imaginative plays that explore the expanses of inner space are all the rage at the Soho Theatre this summer. First there was a superb revival of Anthony Neilson’s Realism, which puts on stage the thoughts of one man during a solitary Saturday, then there was Lou Ramsden’s Hundreds and Thousands, which used a horror-film aesthetic to explore female... Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
'We are bowled over!' Thank you for your messages...
