Theatre Reviews
The Tempest, Theatre Royal HaymarketWednesday, 07 September 2011
Memo to William Shakespeare: could we have more, please, in The Tempest of the anxious, angsty Prospero, the mortality-minded magus played in his most riveting theatre performance in years by Ralph Fiennes? Read more... |
Truth and Reconciliation, Royal Court TheatreMonday, 05 September 2011
Can an ordinary wooden chair be an instrument of torture? Of course, every brute investigation makes use of such furniture, whether as a place to tie the victim down, or as a weapon to attack them with. Read more... |
The God of Soho, Shakespeare's GlobeFriday, 02 September 2011
It's grin and bear it - even on occasion bare it - time at Shakespeare's Globe, which closes its 2011 season not with a bang but with a wearyingly facetious whimper. A nice idea that in differing ways evokes such previous Globe newbies as Helen and The Frontline while paying homage to the Bard's own penchant for many and varied couplings, Chris Hannan's latest aims for a giddy, carnival atmosphere that it only fitfully achieves. As for its apparent obsession with scatology... Read more... |
The Faith Machine, Royal Court TheatreThursday, 01 September 2011
A monolithic slab, like a giant incarnation of a Biblical tablet of stone, dominates Mark Thompson’s set for Jamie Lloyd's production of the third play by Alexi Kaye Campbell. Nothing else is so solid in this big, weighty work, which wrestles with abstract notions of faith, the human soul and the myths and narratives by which we choose to live. Read more... |
South Pacific, Barbican TheatreWednesday, 24 August 2011
"Whoring after the public taste" is how Ingmar Bergman described some rather funny hanky-panky in one of his most singular films. It's what showbusiness thrives on, and it's fine if done well. Yet a decade ago Trevor Nunn crowned the National Theatre's trio of keenly observed Rodgers and Hammerstein stagings with South Pacific characters of flesh and blood, as its creators had surely envisaged. Here, despite strong delivery of a string of hits and fluid, evocatively lit designs,... Read more... |
theartsdesk MOT: Dreamboats and Petticoats, Playhouse TheatreMonday, 22 August 2011
It's one of the distinctions of the London theatre to be at once highbrow and middle-of-the-road, to offer up esoterica from Ibsen and Schiller while allowing audiences elsewhere the chance to rock out to the... Read more... |
theartsdesk MOT: The Railway Children, Waterloo StationMonday, 15 August 2011
This warm-hearted production of E Nesbit’s most famous novel premiered to glowing reviews at its site-specific venue last summer. Read more... |
The Globe Mysteries, Shakespeare's GlobeThursday, 11 August 2011
From 69 hours of King James Bible reading over Easter Week to this racy evening of adapted medieval pith as we head towards Assumption Day, the word they tell us is God moves in fluid if not necessarily mysterious ways around the Globe. “Mysteries” refers to the guilds that put on these popular street shows in the Middle Ages, real enough for the company... Read more... |
Edinburgh Fringe: Dana Alexander/ A Sentimental Journey/ Dog-Eared CollectiveThursday, 11 August 2011
After 12 years in the business, Dana Alexander, an ebullient and instantly likeable presence on stage, is still the only black woman on the Canadian comedy circuit. Not that her ethnicity is Alexander's pre-occupation – it most definitely isn't – but it does play a part in her act. Read more... |
Anna Christie, Donmar WarehouseWednesday, 10 August 2011
The talented Mr Jude Law is back on stage in what must be the hottest ticket in the West End. Although not everyone warmed to his 2009 Hamlet, the mere presence in central London of one of Hollywood’s most bankable stars is enough to bring a touch of sunshine to a wintry summer. My main anxiety was that, as a reaction to the riots sweeping the capital, the Government would call a curfew and close the show, which was due to open last night. I needn’t have worried. It opened on schedule. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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