Theatre Reviews
The Alchemist, RSC, BarbicanThursday, 15 September 2016
The confidence trick to end all tricks, Ben Jonson’s The Alchemist is so utterly recognisable, so clearly contemporary, that to update the setting feels a bit like underlining the point in red pen. In this transfer from Stratford's Swan Theatre director Polly Findlay plays things 17th-century straight, allowing her audience to make the connection with just a little help from an irreverent new epilogue. Read more... |
Torn, Royal Court TheatreThursday, 15 September 2016
The family is a war zone. Bam, bam, bam. For some people, it can be the most dangerous place on earth. Its weapons include domination and betrayal, blackmail and abuse, and its frontline is memory – what really happened, and who is most to blame? In actor-playwright Nathaniel Martello-White’s new drama, this war zone is crossed and re-crossed with passionate vigour in a minimalist production that has some strong points and some frustrating aspects too. Read more... |
Doctor Faustus, RSC, Barbican TheatreWednesday, 14 September 2016
What price a human soul? That’s the question Marlowe’s Doctor Faustus asks – a question whose answers are rooted in faith and theology. But in a society with little use for faith and still less for theology, how do you reframe the question? Director Maria Aberg offers a deft if not always entirely coherent answer in her breathless, punky take on the play for the RSC. Read more... |
Jess and Joe Forever, Orange Tree TheatreMonday, 12 September 2016
We’re living in the age of the small play. Although there are plenty of baggy epics around on our stages, they are outnumbered by the small and short two-hander, whether it's John O’Donovan’s gloriously titled If We Got Some More Cocaine I Could Show You How I Love You at the Old Red Lion or the equally gloriously acted Counting Stars by Atiha Sen Gupta at Theatre Royal Stratford East. Read more... |
The Inn At Lydda, Sam Wanamaker PlayhouseFriday, 09 September 2016
Part Biblical melodrama, part Carry On Up The Colosseum, with a bit of Horrible Histories thrown in for good measure, it’s hard to see how John Wolfson’s wildly uneven The Inn at Lydda graduated from a rehearsed reading last season to a full-blown production. Director Andy Jordan does what he can with this historical mishmash, but there’s no disguising the fundamental flaws in the play’s construction. Read more... |
The Emperor, Young VicFriday, 09 September 2016
She gave us the most moving King Lear years before the news broke that Glenda Jackson would be playing the role. Only Mark Rylance has recently matched the malicious wit of her Globe Richard III. Read more... |
Labyrinth, Hampstead TheatreThursday, 08 September 2016
Ever since Lucy Prebble’s hit masterpiece, Enron, opened our eyes to the possibilities of staging plays about global finance in a thrillingly theatrical way, the hunt has been on for another story that can be as informative and as well staged. Step forward Beth Steel, whose Wonderland, her previous play at this address, looked at Yorkshire miners in the 1980s Miners Strike. Read more... |
Revolt. She Said. Revolt Again., Shoreditch Town HallSaturday, 03 September 2016
Alice Birch is one of the most exciting playwrights to have arrived in the past five years. This restaging of the brilliantly titled Revolt. She Said. Revolt Again. – which was first put on as part of the Royal Shakespeare Company’s Midsummer Mischief festival in June 2014 – demonstrates not only the power of her theatrical imagination, but also her enormous technical skill and sense of emotional truth. Read more... |
The Entertainer, Garrick TheatreWednesday, 31 August 2016
For the final show in his year-long stay at this West End address, Kenneth Branagh has chosen to revive and star in John Osborne’s 1957 play. By doing so, he finds himself once again treading in the footsteps of Sir Laurence Olivier, who originally created the role. It’s not the first time he’s shadowed the legendary actor. In 1989, he played Henry V on film, and then also the great man himself (in the 2011 film Marilyn and Me). Read more... |
They Drink It in the Congo, Almeida TheatreWednesday, 24 August 2016
Do you carry a small part of the Congo every day on your person? Probably. Your mobile phone will contain coltan, aka columbite tantalum, which is used to make your electronics work better. And this is mined in the Congo. The trouble is that fluctuating prices for this mineral, as well as competition for such resources, encourages conflict between militia groups, which is one reason for the constant wars in this region of Africa. Another reason is the legacy of colonialism. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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