sun 22/06/2025

Theatre Reviews

Speech & Debate, Trafalgar Studios

Matt Wolf

There's something to be said for encountering a playwright fresh out of the starting gate. Since his debut play Speech & Debate premiered Off Broadway almost a decade ago, Stephen Karam has gone on to write two altogether wonderful plays, the most recent of which, The Humans, won last year's Tony. This fledgling effort isn't in that league but has its charms, and Tom Attenborough's defibrillator production further marks out the fast-rising Patsy Ferran as a talent...

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A Midsummer Night's Dream, Young Vic

alexandra Coghlan

“The nine men’s morris is filled up with mud, and the quaint mazes in the wanton green for lack of tread are undistinguishable.” Titania may mourn the landscape withered by her conflict with Oberon, but games and mazes hold no interest for director Joe Hill-Gibbins.

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Twelfth Night, National Theatre

alexandra Coghlan

Everybody’s a little bit gay in Simon Godwin’s giddy new Twelfth Night at the National Theatre.

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The Girls, Phoenix Theatre

Matt Wolf

Why? That's the abiding question that hangs over The Girls, the sluggish and entirely pro forma Tim Firth-Gary Barlow musical that goes where Firth's film and stage play of Calendar Girls have already led. Telling of a charitable impulse that succeeded beyond all expectations, the real-life scenario makes for heartening fare in our seemingly heartless times.

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Low Level Panic, Orange Tree Theatre

aleks Sierz

The 1980s were a great decade for British women playwrights.

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School Play, Southwark Playhouse

Will Rathbone

Hot on the heels of Katherine Soper's award-winning Wish List, about the UK benefits system in crisis, and John Godber's This Might Hurt, about an NHS in crisis, comes this play about our education system in crisis.

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The Wild Party, The Other Palace

Marianka Swain

The Other Palace’s housewarming party certainly lives up to its billing as a wild one – wet and wild, in fact, as the first three rows are sporadically doused with bathtub gin.

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See Me Now, Young Vic

aleks Sierz

Sex workers come in all shapes and sizes. Everyone knows that. But why do they do it? Why does anyone take the risk of being intimate with a stranger for money?

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The Winter's Tale, Royal Lyceum Theatre, Edinburgh

David Kettle

In the end, it’s all about Mamillius. It’s he – the young son of Leontes of Sicily – who launches director Max Webster’s really quite magical new production of Shakespeare’s credibilty-busting tragedy-cum-comedy at Edinburgh’s Lyceum Theatre, suggesting it’s all a child’s made-up story in the first place.

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Richard III, Schaubühne Berlin, Barbican

David Nice

Hated the Schaubühne Hamlet (same lead actor, same director as this latest Shakespeare auf Deutsch); loved Ivo van Hove's Toneelgroep Kings of War, with Hans Kesting's Richard III on the highest level alongside the Henrys V and VI.

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Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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