Theatre Reviews
Caroline, or Change, Hampstead Theatre review - Sharon D Clarke conquersWednesday, 21 March 2018
It's long been a theatrical given, especially in musicals, that characters need to be seen to change: a climactic duo in the eternally crowd-pulling Wicked makes that abundantly clear. Read more... |
The Great Wave, National Theatre review - moving epic of global lossTuesday, 20 March 2018
You could call it an absence of yellow. Until very recently British theatre has been pretty poor at representing the stories of Chinese and East Asian people, and even of British East Asians. In 2016, Andrew Lloyd Webber called British theatre “hideously white” and, despite the sterling work of groups such as Yellow Earth theatre company, there have been several casting controversies where white actors have played Chinese and East Asian characters. Read more... |
Hamlet, RSC, Hackney Empire review - Paapa Essiedu's winning DaneMonday, 19 March 2018
Shakespeare's death-laden play is alive and well and breathing with renewed force in Hackney, the last British stop for an RSC touring Hamlet that moves on from London to the Kennedy Centre in Washington DC in May. Read more... |
Vivaldi's The Four Seasons: A Reimagining, Sam Wanamaker Playhouse review - a gentle exploration of life, love and deathMonday, 19 March 2018
Vivaldi’s The Four Seasons: A Reimagining – it’s not a title that trips off the tongue. Nor one, frankly, that inspires much excitement, with its clunky functionality and on-trend buzzword. But set that aside and buy a ticket immediately, because Gyre & Gimble have made magic with their latest show. Read more... |
Female Parts: Shorts, Hoxton Hall review - women speak outSaturday, 17 March 2018
Hot on the heels of International Women’s Day come three monologues written, directed and produced by women showing at Hoxton Hall. It’s kind of a treat, and kind of not. Read more... |
Humble Boy, Orange Tree Theatre review - love, death and science in Middle EnglandTuesday, 13 March 2018
Good programming is an art, and Paul Miller – artistic director of the Orange Tree Theatre – is clearly on a continuous roll with his inspired mixing of the old and the new, forgotten classics and new voices, revivals and premieres. And he loves to take risks. Read more... |
Brief Encounter, Empire Cinema review – poignant, hilarious revivalMonday, 12 March 2018
It would be so easy to make fun of the 1945 Noel Coward/ David Lean film in which, famously, nothing happens between two guilt-ridden married lovers. That oh-so-British middle class restraint, those flet, perfectly enunciated vowels, the overwhelming romantic rush of Rachmaninov’s Piano Concerto No 2 – isn’t it all a bit OTT, just crying out for a French-and-Saunders-style send-up? Read more... |
Returning to Haifa, Finborough Theatre review - a bumpy journey into the Arab-Israeli pastFriday, 09 March 2018
This year the state of Israel marks its 70th birthday. Which means it will also be the year Palestinians remember the Nakba, the catastrophe, the mass dispossession. Read more... |
Macbeth, National Theatre - Rufus Norris goes for drab, gory and tricksyThursday, 08 March 2018
Fair is foul and foul is drab, gory and tricksy in Rufus Norris’s first stab at Shakespeare direction at the National Theatre, Macbeth. Read more... |
Summer and Smoke, Almeida Theatre - exquisite renaissance of Tennessee Williams's neglected playThursday, 08 March 2018
That this 1948 Tennessee Williams play is rarely performed seems nothing short of a travesty, thanks to the awe-inspiring case made for it by Rebecca Frecknall’s exquisite Almeida production. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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