Opera Reviews
Der Rosenkavalier, Bavarian State Opera online review - myth-making magicMonday, 22 March 2021
Venus, Cupid, Folly and Time stalk this haunting dream of a Rosenkavalier. The love games of teenager Octavian and his experienced mistress the Marschallin are sexy and plausible; the comedy of ridiculous Baron Ochs keeps a low profile, but stays real and turns out funny in unexpected places; a winged old gentleman (Ingmar Thilo) embodies the second and fourth manifestations. Read more... |
Die tote Stadt, Komische Oper Berlin, OperaVision review – when catharsis goes missingThursday, 04 March 2021
A word about grief. Many of us have learned a lot about it this past year; many knew about it before that. When someone we love dies, we grieve. This is normal. This is human. It is agony, but it’s not actually a mental illness. Having Paul, the hero (or anti-hero) of Erich Wolfgang Korngold’s Die tote Stadt be marched off stage by those in white coats at the end is therefore not only a directorial cop-out. Read more... |
Tony and the Young Artists, Royal Opera/Liebeslieder Waltzes, Blackheath Halls online review - love and joyTuesday, 23 February 2021
Young performers seeking platforms for their careers have had it especially rough over the past year, most slipping through the financial-support net and now facing the further blow of the Brexit visa debacle. So it’s always good to welcome quality streamings supporting their progress. Read more... |
Der Freischütz, Bavarian State Opera online review – marksmen as marketeersMonday, 15 February 2021
Bavarian State Opera has led the way for live performances and associated broadcasts during the pandemic. Their series of weekly “Montagsstück” events have presented innovative chamber operas, specifically for web streaming. Their next goal is full-size opera with a live audience. That is not possible yet, so instead they are premiering a new production of Weber’s Der Freischütz. Read more... |
Hansel and Gretel, Scottish Opera online - bewitching feast for ears but not eyesFriday, 12 February 2021
Christmas isn’t just for Christmas, Daisy Evans’s bargain-basement fir-trees-and-tinsel production of Humperdinck’s evergreen masterpiece seems to be telling us. Read more... |
Netrebko, Met Stars Live in Concert online review - flashy performance from operatic powerhouseTuesday, 09 February 2021
Though the global pandemic has brought about an unprecedented degree of isolation, it’s also, in unusual ways, brought us together too. Visiting New York’s Metropolitan Opera House is currently an impossible dream - the house is still completely dark. Read more... |
The Turn of the Screw, OperaGlass Works online review - the fright is in the filmingTuesday, 02 February 2021
It’s second time lucky for OperaGlass Works, whose previous production at Wilton’s Music Hall, of Stravinsky’s The Rake's Progress, hit the mark for me in the singing but not the staging. I suspect that had we been there in the auditorium with performers all too palpable, the same might have been true of The Turn of the Screw in this venue. Read more... |
Holy Sonnets/The Heart's Assurance/A Charm of Lullabies, English Touring Opera online review - darkest hoursFriday, 29 January 2021
“Death, be not proud, though some have called thee/ Mighty and dreadful, for thou art not so.” John Donne’s Holy Sonnets may summon all his art of wit and paradox to mock that might and dread; still, we sense the abject terror behind the formal acrobatics of the verse. Benjamin Britten wrote his great settings of these great poems after a visit to the liberated Bergen-Belsen camp with Yehudi Menuhin in summer 1945. Read more... |
Romances on British Poetry / The Poet's Echo, English Touring Opera online review - Britten and Shostakovich in a double mirrorTuesday, 26 January 2021
A darkened stage; a pool of light; a solitary figure. And then, flooding the whole thing with meaning, music – even it’s just a soft chord on a piano. It’s no secret to any opera goer that even the barest outlines of a staging can magnify the dramatic potential of a piece of music to a point when it can seem like a completely new work. Read more... |
Best of 2020: OperaSunday, 27 December 2020
Surreal fantasy came off best this year, before and after the fall. Read more... |
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