Opera Reviews
First Person: director Frederic Wake-Walker on Glyndebourne's new 'Fidelio'Wednesday, 06 October 2021
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Jenůfa, Royal Opera review - Janáček scours the soul again in a compelling new takeWednesday, 29 September 2021
At the heart of Janáček’s searing music-drama, and the pioneering play by another remarkable Czech, Gabriela Preissová, on which it is based, are two strong women trapped in a conventional community whose intelligence goes to waste and whose lives take tragic turns. Read more... |
Madam Butterfly, Welsh National Opera review - decent performance, disagreeable contextWednesday, 29 September 2021
It’s easy enough to see the difficulty Madam Butterfly places your thinking director in. I share her pain. Read more... |
The Midsummer Marriage, LPO, Gardner, RFH review – Tippett’s cornucopia shines in fits and startsSunday, 26 September 2021
British opera’s attempted answer to The Magic Flute, and its presentation as the opening gambit of Edward Gardner’s eminent position as principal conductor of the London Philharmonic Orchestra, leave me queasily ambivalent. Read more... |
The Magic Flute, Royal Opera review - all but a guarantee of a great night outSaturday, 18 September 2021
Rarely has the revolving door of opera twirled so efficiently. Read more... |
Rigoletto, Royal Opera review - routine clouds the best in this season openerTuesday, 14 September 2021
Another season, another new production of Verdi’s nastiest masterpiece. For which we should be profoundly grateful after the tribulations of the last 18 months. Yet how quickly elements of the routine can corrode the soul of the spectator, just as fresh, urgent communication can set it alight. Read more... |
The Barber of Seville, Welsh National Opera review - back to work in an old bangerFriday, 10 September 2021
Welcome back, WNO! Yes, emphatically, and with a loud hurrah, which is precisely what the company received, and rightly received, from the somewhat arbitrarily scattered first night Millennium Centre audience for their opening revival of The Barber of Seville. Read more... |
Tristan und Isolde, Glyndebourne, BBC Proms review - endless love, perfect paceWednesday, 01 September 2021
“Now I’ve conducted Tristan for the first time,” the 27-year-old Richard Strauss wrote from Weimar to Wagner’s widow Cosima in 1892, “and it was the most wonderful day of my life”. Read more... |
Ariadne auf Naxos, Edinburgh International Festival review – apt setting for Strauss hybridMonday, 30 August 2021
This lively interpretation of Richard Strauss’s opera within an opera provides a feast for the senses as a musical highlight of the Edinburgh international Festival. Read more... |
theartsdesk at the Birgit Nilsson Days - the rich legacy of a farm girl turned divaThursday, 26 August 2021
Feet firmly planted on fertile native soil, but always open to the world, lyric-dramatic soprano Birgit Nilsson soared into realms no-one from the rolling hills and coastline of Sweden’s Bjäre peninsula, where she grew up, could possibly have imagined. Read more... |
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