New Music Reviews
Ólafur Arnalds presents OPIA, Southbank Centre review - many strange delightsSaturday, 09 November 2019
Ólafur Arnalds is almost secretly huge. Millions adore the melancholy beauty of the Icelandic composer’s music, yet his name still brings blank stares from some. Read more... |
CD: Luke Combs – What You See Is What You GetThursday, 07 November 2019
With US number one singles and Grammys coming out of his ears, a record-breaking streak at the top for debut album This One’s For You and collaborations with country big-timers aplenty, Luke Combs is riding high. Read more... |
Seun Kuti & Egypt 80, Village Underground review - more than a homage to FelaWednesday, 06 November 2019
The joy of Afro-Beat comes from the intricate play of polyrhythms, eloquently constructed around the subtle interplay of guitars, bass, backing vocals, percussion and horns: each voice follows a distinct path, and the combination of each in a rich and complex whole is both powerfully mind-blowing and irresistibly danceable. Read more... |
Hubro 10th-Anniversary Concert, The Spice of Life review - boundary pushing Norwegian label marks its birthdayMonday, 04 November 2019
A fiddle projects upwards from between Erlend Apneseth’s knees. Seated, he holds another in his right hand facing-off the instruments against each other. He’s plucking both, the pizzicato pitter-patter suggesting water drops on a bell or a koto. On the other side of the stage, guitarist Stephan Meidell is looping the sound, treating it to form a wash akin to that of a waterfall. Read more... |
BaBa ZuLa, Jazz Cafe review - much more than mere entertainment from 'Turkish Psych' specialistsMonday, 04 November 2019
BaBa ZuLa only fully manifest their free spirit when they play live, and in the intimate setting of a venue like the Jazz Cafe, where the entre audience is close to the stage. Read more... |
Reissue CDs Weekly: Gene Clark - No OtherSunday, 03 November 2019
Three years after its release, Gene Clark explained where he was heading while creating 1974's No Other. “I was strongly influenced at that time by two other artists. Stevie Wonder’s Innervisions and [The Rolling Stones’s] Goat’s Head Soup. Read more... |
CD: fka twigs – mary magdaleneSaturday, 02 November 2019
Tahliah Barnett has been having a rough old time of it. There was that doomed celebrity romance (Robert Pattinson) and some health issues (I’m not entirely sure if we need to know about her operation to have fibroids removed) but suffering, as we are all aware, is the fuel of creativity. Read more... |
Lisa Stansfield, Royal Albert Hall - mutual Affection, 30 years onFriday, 01 November 2019
Rochdale boasts quite a number of star turns but those that spring readily to mind are William Walton, Andy Kershaw, Barb Jungr, Gracie Fields and Lisa Stansfield. And here’s a good pub quiz question: what, apart from Rochdale, links Gracie and Lisa? It’s their shared surname! Gracie dropped the first four letters and rearranged the remaining five. Read more... |
Little Simz, EartH review - bossing itWednesday, 30 October 2019
Little Simz exits through the ladies. It's telling, since her set at EartH is the capstone to a tour that, by her own admission, has left her rinsed, broken friendships, torn her away from her family and led her to question her career. And yet, as she wends past the women in the queue that snakes down the corridor, who whoop and thank her for the show, she's obviously buzzing. Read more... |
Charli XCX, SWG3, Glasgow - stripped of the gimmicks, but still the whole packageMonday, 28 October 2019
Considered logically, releasing an album as heavy on guest features as Charli XCX’s newest should present particular logistical problems when it comes to recreating the tracks on tour. Charli’s approach is the opposite: no gimmicks or trickery, just minimalist techno hedonism powered by nothing but strobe lights and sheer charisma. Read more... |
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