mon 22/09/2025

Liz Thomson

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Bio
Liz Thomson has maintained a dual career, chronicling the international publishing industry, and writing arts journalism for newspapers and magazines around the world. The author of a number of critical anthologies on music and popular culture, she is the founder of The Village Trip, a festival celebrating arts and activism in Greenwich Village and the East Village of New York City. This year's festival, the sixth, runs from September 14-28. Her latest book, Joan Baez: The Last Leaf, has won wide praise, Mojo's five-star review describing it as "the definitive biography". Liz is also the revising editor of Bob Dylan: No Direction Home by the late Robert Shelton.

Articles By Liz Thomson

Album: Bonnie Dobson & The Hanging Stars - Dreams

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Album: Bruce Springsteen - Tracks II: The Lost Albums

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Album: Mary Chapin Carpenter - Personal History

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Album: Suzanne Vega - Flying With Angels

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Album: Rhiannon Giddens & Justin Robinson - What Did the Blackbird Say to the Crow

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An Evening with Joan Armatrading, Cadogan Hall review - thoughtful and engaging conversation

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Album: Elton John and Brandi Carlile - Who Believes in Angels?

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Album: Reg Meuross, Fire & Dust: A Woody Guthrie Story

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Album: Mary Chapin Carpenter, Julie Fowlis & Karine Polwart - Looking For the Thread 

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Album: Lucinda Williams Sings The Beatles from Abbey Road

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Album: Joan Armatrading - How Did This Happen and What Does It Now Mean

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Album: Silkroad Ensemble with Rhiannon Giddens - American Railroad

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Le Vent du Nord, Cecil Sharp House review - five extraordinary musicians

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Album: Garfunkel & Garfunkel: Father and Son

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Album: Gillian Welch & David Rawlings - Woodland

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Madeleine Peyroux, Barbican review - a transport of delight

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'We are bowled over!' Thank you for your messages... ...
Jansen, LSO, Pappano, Barbican review - profound and bracing...

Antonio Pappano and the London Symphony Orchestra last seared us in Britten’s amazing Violin Concerto, with Vilde Frang as soloist, on the very...

Jakub Hrůša and Friends in Concert, Royal Opera review - fle...

Between bouts of that far from shabby, still shocking masterpiece Tosca, Royal Opera music director Jakub Hrůša ...

The Weir, Harold Pinter Theatre review - evasive fantasy, bl...

Why are the Irish such good storytellers? The historical perspective is that the oral tradition goes way, way back, allied to the gift of the gab...

Hadelich, BBC Philharmonic, Storgårds, Bridgewater Hall, Man...

Concerts need to have themes, it seems, today, and the BBC Philharmonic’s publicity suggested two contrasting ideas for the opening of its 2025-26...

Album: Mulatu Astatke - Mulatu Plays Mulatu

The tour by the 81-year-old Mulatu Astatke which is currently under way and this album seem to be giving off different...

Music Reissues Weekly: Sly and the Family Stone - The First...

The remarkable The First Family: Live At Winchester Cathedral 1967 represents the first-ever release of a previously...

Monteverdi Choir, ORR, Heras-Casado, St Martin-in-the-Fields...

35 years ago, persona-now-non-grata John Eliot Gardiner revealed how performances of Mozart’s Idomeneo and La Clemenza di Tito...

Dracula, Lyric Hammersmith review - hit-and-miss recasting o...

If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it proves...

Cho, LSO, Pappano, Barbican review - finely-focused stormy w...

It was a hefty evening, as it needn't necessarily have been throughout, since Shostakovich’s Ninth Symphony can conceal more darkness between the...