New Music Reviews
Soft Cell, O2 review - a memorable finale to their careerMonday, 01 October 2018
Soft Cell have been teasing us for almost three hours. “I think we might have forgotten to do one, Dave,” says Marc Almond, pacing the stage, a wry smirk on his face. His protégé, Dave Ball, is next to him, ensconced behind a corral of old analogue synthesizers. The song lyrics descending down two gigantic screens behind them illustrate the burlesque of it all. Read more... |
Reissue CDs Weekly: The Michael Gibbs Big Band, The Gary Burton QuartetSunday, 30 September 2018
Gary Burton fans with an eye for detail will know that “Fly Time Fly (Sigh)” from his second album, 1962’s Who Is Gary Burton?, had a writer credit of “Gibbs”. The American vibes-ace’s next album, 1963’s 3 in Jazz, a collaboration with Sonny Rollins and Clark Terry included another song by Gibbs. Read more... |
Reissue CDs Weekly: Bobbie GentrySunday, 23 September 2018
In 2016, a writer from The Washington Post thought they had found Bobbie Gentry. After announcing their presence via the entry phone system of a gated housing development near Greenwood, Mississippi, they were told “there's nobody here by that name.” Though Greenwood was where Gentry had attended school and taught herself to play multiple instruments, it was a predictable response. Read more... |
David Crosby & Friends, Shepherd’s Bush Empire, review - still spine-tingling at 77Wednesday, 19 September 2018
“This, quite possibly, could be a really good night,” declared David Crosby. He’s a couple of songs into this show, one of only two UK dates on the tour promoting his current album Sky Trails. Looking trim, beaming and in impeccable voice, the 77-year-old known as Croz fulfils his prophecy – and then some. Read more... |
Reissue CDs Weekly: Soft CellSunday, 16 September 2018
During their original 1980 to 1984 lifespan as a recording unit, Soft Cell issued three albums, a mini-album, eleven singles and EP. There were also compilation appearances, bonus tracks on discs included with albums or singles (such as the 12-inch of Jimi Hendrix cover versions accompanying The Art of Falling Apart) and extended tracks which appeared on 12-inch singles. Everything could probably be collected on six CDs. Read more... |
Classic Albums: Amy Winehouse - Back to Black, BBC Four review - suffering turned into songSaturday, 15 September 2018
Formats are second nature to TV: the BBC and Eagle Rock’s Classic Albums will run and run. Like all formats, there’s always the risk that the medium becomes the message, and content suffers under the weight of form. Read more... |
Arctic Monkeys, O2 review - musicanship and showmanship successfully collideFriday, 14 September 2018
So here we are. Over a decade since we all fell in love. So many light years from the rubble to the Ritz. From Sheffield to LA, where half the band is now based. And by the looks of the audience, a fair proportion has been along for the whole ride. Not that it’s always been easy to support them. Never mind the information/action ratio, what perhaps should concern us about the Arctic Monkeys is... Read more... |
The The, Digbeth Arena, Birmingham review - Matt Johnson takes his political pop back on the roadMonday, 10 September 2018
Matt Johnson is a genial bloke with a trunk-load of songs that view the glass as not only half empty but too small. In the '80s and early '90s this pessimistic protest singer even managed to bother the charts a fair few times before quietly slipping out of sight until the release, a year or so ago, of his experimental Radio Cineola Trilogy album. Read more... |
theartsdesk in Cologne: urban boutique on the RhineSunday, 09 September 2018
The terrace beside the restaurant in Cologne’s Stadtgarten – the city park – is heaving. Agreeably so. A bar and a food counter facing onto it are fringed by rows of long tables. Overhanging trees unite in a canopy suggesting this might be forest clearing. Read more... |
Reissue CDs Weekly: Stella ChiwesheSunday, 09 September 2018
Until now, hearing the extraordinary “Ratidzo” was all-but impossible. The original single is rare and has not been reissued before. It begins with a plaintive whistle which sets the scene for a hypnotic and beautiful rotating pattern of single notes possibly played on a gamelan-style instrument. Rhythmic accompaniment comes from a form of shaker. Read more... |
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