Classical Reviews
Brecon Baroque, Podger, Brecon Cathedral online review - Bach recolouredMonday, 26 October 2020
Bach’s Goldberg Variations, written for harpsichord in about 1741 supposedly (or perhaps not) for a certain Johann Goldberg to play to the insomniac Count Keyserlingk, have enjoyed – or suffered – countless arrangements for other instruments, including jazz trio (Jacques Loussier), string trio with electronics, and viol consort. Read more... |
City of London Sinfonia, Southwark Cathedral / Kanneh-Masons, Barbican review - soaring teamworkSunday, 25 October 2020
“Live music is back,” runs the Barbican's latest slogan, so treasure it and get out there while you can. Thursday evening in London offered an embarrassment of riches. Read more... |
Tasmin Little Farewell Recital, RFH review - memories, tributes and dreamsFriday, 23 October 2020
Bidding farewell to the Royal Festival Hall, Tasmin Little was at the very peak of her powers. It’s almost unthinkable that we will never see her play here again. Many have hoped that she’d be one of those musicians who announce their retirement only to be back for one last time…and another… but Little is a genuine soul who has always said what she means and meant what she says. And she says that that really is that. Read more... |
Allan Clayton, Stephanie Wake-Edwards, James Baillieu, Wigmore Hall review - consummate musicality and techniqueThursday, 22 October 2020
Last seen gurning and camping his way across the Royal Opera House stage in absurdist musical fantasy Frankenstein!!, it was a very different Allan Clayton who held the Wigmore Hall in stillness just a few nights later. Read more... |
Jeneba Kanneh-Mason, Sode, Chineke! Orchestra, Edusei, RFH review - protest, passion and joyWednesday, 21 October 2020
During the Black Lives Matter demonstrations in London earlier this year, a black man named Patrick Hutchinson hoisted over his shoulder an injured white man from the counter-protest of the English Defence League and carried him to safety. The photographs made headlines. Read more... |
London Symphony Orchestra, Hasan, LSO St Luke's review - dances great and smallTuesday, 20 October 2020
Big orchestras to serve the late romantic masterpieces and contemporary blockbusters still aren’t the order of the Covid-era day, even in streamed events, at least not in the UK. Read more... |
Stephen Kovacevich, Wigmore Hall review - a sublime birthday treatMonday, 19 October 2020
What do you want to do on your 80th birthday? Well, playing two of your favourite pieces of music at the Wigmore Hall is not a bad option. To celebrate his big day, Stephen Kovacevich returned to the scene of many of his triumphs since 1961, chose the Bach Partita No. Read more... |
Cooper, Aurora Orchestra, Kings Place review - a heartwarming delightSunday, 18 October 2020
Rarely have I seen so many smiles on stage as at Kings Place on Saturday. The combination of the delight of the performers being back in their natural environment with the genial and generous-spirited music they were playing brought out the best in everyone. Read more... |
Scottish Chamber Orchestra, Queen's Hall, Edinburgh online review – two Parisian gemsFriday, 16 October 2020
Though live performances are, thankfully, starting to reappear throughout the country, and socially distanced seating, mask-donning and constant hand sanitising becomes the norm for audiences south of the border, those in Scotland are still eagerly anticipating the opportunity to once again be in a concert hall experiencing live music first hand. Read more... |
Mariam Batsashvili, Wigmore Hall review – the serious virtuosoWednesday, 14 October 2020
“O wise young judge”, says Shylock to Portia in The Merchant of Venice.It seemed just such a figure who made her way to the piano at the Wigmore Hall last night. Read more... |
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