Classical Reviews
Allan Clayton, Stephanie Wake-Edwards, James Baillieu, Wigmore Hall review - consummate musicality and techniqueThursday, 22 October 2020
Last seen gurning and camping his way across the Royal Opera House stage in absurdist musical fantasy Frankenstein!!, it was a very different Allan Clayton who held the Wigmore Hall in stillness just a few nights later. Read more... |
Jeneba Kanneh-Mason, Sode, Chineke! Orchestra, Edusei, RFH review - protest, passion and joyWednesday, 21 October 2020
During the Black Lives Matter demonstrations in London earlier this year, a black man named Patrick Hutchinson hoisted over his shoulder an injured white man from the counter-protest of the English Defence League and carried him to safety. The photographs made headlines. Read more... |
London Symphony Orchestra, Hasan, LSO St Luke's review - dances great and smallTuesday, 20 October 2020
Big orchestras to serve the late romantic masterpieces and contemporary blockbusters still aren’t the order of the Covid-era day, even in streamed events, at least not in the UK. Read more... |
Stephen Kovacevich, Wigmore Hall review - a sublime birthday treatMonday, 19 October 2020
What do you want to do on your 80th birthday? Well, playing two of your favourite pieces of music at the Wigmore Hall is not a bad option. To celebrate his big day, Stephen Kovacevich returned to the scene of many of his triumphs since 1961, chose the Bach Partita No. Read more... |
Cooper, Aurora Orchestra, Kings Place review - a heartwarming delightSunday, 18 October 2020
Rarely have I seen so many smiles on stage as at Kings Place on Saturday. The combination of the delight of the performers being back in their natural environment with the genial and generous-spirited music they were playing brought out the best in everyone. Read more... |
Scottish Chamber Orchestra, Queen's Hall, Edinburgh online review – two Parisian gemsFriday, 16 October 2020
Though live performances are, thankfully, starting to reappear throughout the country, and socially distanced seating, mask-donning and constant hand sanitising becomes the norm for audiences south of the border, those in Scotland are still eagerly anticipating the opportunity to once again be in a concert hall experiencing live music first hand. Read more... |
Mariam Batsashvili, Wigmore Hall review – the serious virtuosoWednesday, 14 October 2020
“O wise young judge”, says Shylock to Portia in The Merchant of Venice.It seemed just such a figure who made her way to the piano at the Wigmore Hall last night. Read more... |
Baker, Ridout, LaFollette, Schwizgebel, Fidelio Orchestra Cafe review - fun and ferocityWednesday, 14 October 2020
How many musicians can you fit in the main space of the Fidelio Orchestra Café? The answer is 23 string players in masks, for the recording of Strauss’s Metamorphosen of which I was a solitary witness in the summer. With diners accommodated, probably four is the limit. Read more... |
Louise Alder, Roger Vignoles, Wigmore Hall review - German Romanticism meets French eroticismSaturday, 10 October 2020
We may have started out among the wholesome pleasures of nature, but we ended up in the bedroom – once, that is, we had recovered from the flying breasts… Soprano Louise Alder’s recital – the last in the Wigmore Hall’s month-long lunchtime series – had a twinkle in its eye and the weekend firmly in its sights... Read more... |
Elias Quartet, Wigmore Hall review – sinewy, muscular BeethovenWednesday, 07 October 2020
You could imagine that normality had returned watching the live webcasts from the Wigmore Hall. The Hall has bucked the trend, and managed to present a full autumn season, to a carefully separated but still substantial audience. Yesterday evening’s concert was to be given by Quatuor Ébène, but they pulled out at the last minute—problems with travelling from France perhaps the reason. Read more... |
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