Classical Reviews
theartsdesk at the Three Choirs Festival - Purcell, Gabriel Jackson and DurufléThursday, 29 July 2021
King Arthur, as every schoolgirl knows, never actually existed, so it made perfect sense that the Gabrieli Consort’s Worcester Cathedral performance of Purcell’s semi-opera about the mythical British king and his battles with the Saxon incomers made not the slightest mention of Arthur. Read more...
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Opera in Song, Opera Holland Park review – world-class singers in a brilliant recital triptychWednesday, 28 July 2021
Now that the summer opera-house companies have pulled off staged triumphs under the most difficult of circumstances, it’s time to celebrate semi-al-fresco concerts. Not so many have cropped up as I’d hoped after the success of the Battersea Park Bandstand Chamber Music series last year. Read more... |
East Neuk Festival 2021 / Benjamin Baker, Fidelio Orchestra Café review – singing in the rainFriday, 16 July 2021
The heading may be a bit misleading. Read more... |
Carducci Quartet, Wigmore Hall review - complexity and depthMonday, 12 July 2021
This programme was a bit of a calling card from the Carducci Quartet. They have previously recorded all three works, and the three composers, Haydn, Shostakovich, Beethoven, clearly play to their strengths. Read more... |
'You have to be willing to kill your darlings': conductor Clark Rundell on advice from composer Louis Andriessen (1939-2021)Thursday, 08 July 2021
It’s taken me a day to try to find some words to share at the passing of my dear friend, mentor and guardian angel Louis Andriessen and I’m grateful to theartsdesk for giving me the space. It is such a profound loss because of the profound gifts he gave us. His fabulous music is deep, tender, highly personal and achingly beautiful but also funny, ironic, joyful and deliciously vulgar. Read more... |
Dunedin Consort, Butt, Wigmore Hall review – bijou BachMonday, 05 July 2021
The Edinburgh-based Dunedin Consort are regular visitors to the Wigmore Hall, and their concert on Saturday night was greeting by a full house. Read more... |
Never to Forget, Spitalfields Festival review – moving musical tributes to lost care and health workersFriday, 02 July 2021
During early lockdown in 2020 Howard Goodall published an article pondering the role of the composer in a pandemic. His answer was that music has throughout history been successful at memorialising people and events, and that it could do so again. Read more... |
Tenebrae, Short, Saffron Hall review - from dark shadows to bright heavensMonday, 28 June 2021
While the big choral societies are asking, with good cause, why they remain silenced when it’s OK for football fans to sing on the terraces, the top voices of smaller ensembles are being heard again by select audiences. Read more... |
Hallé, Berglund, Bridgewater Hall, Manchester review - taking Beethoven seriouslySaturday, 19 June 2021
Tabita Berglund is that rare species, an up-and-coming orchestral conductor attracting enough attention to secure repeated international bookings in even these straitened times. She also happens to be female and young, which until relatively recently would have been seen as another major handicap to success. Read more... |
Matthews, LPO, Ticciati, Glyndebourne review - out of this worldThursday, 17 June 2021
Why travel to Glyndebourne for a concert? Well, for a start, none of us has heard a Mahler symphony live in full orchestral garb for at least 15 months, and though the Fourth is smaller-scale than some, its innocent beginnings belie the cosmic adventures ahead. Read more... |
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