Classical Reviews
Hough, Hallé, Elder, Bridgewater Hall, Manchester online review - brassy, bouncy optimismFriday, 16 April 2021
Sir Mark Elder is back with the Hallé for the latest (and penultimate) filmed concert in their “Winter Season” of 2020 and 2021, including the world premiere of Huw Watkins' Second Symphony. He introduces it from the Bridgewater Hall foyer, and mentions plans for a six-concert summer series with audiences present in the hall – well, let’s hope so. Read more... |
Isserlis, LPO, Elder, Southbank Centre online review – songs of life and deathThursday, 15 April 2021
The Southbank Centre automatically stuck the trusty “Bohemian Rhapsodies” headline on this London Philharmonic Orchestra concert of Czech music streamed from the still-deserted Royal Festival Hall. Given Janáček’s presence on the bill, they should have made that “Moravian” as well. I know – get a life. Read more... |
Benjamin Grosvenor, Barbican online review - black magic and golden-age gorgeousnessTuesday, 13 April 2021
I can’t deny that it’s great to be able to experience a recital by Benjamin Grosvenor live from the Barbican despite lockdown, streamed into your own home. Read more... |
Castalian Quartet, Stoller Hall, Manchester online review - mercurial playing fits a varied programmeFriday, 09 April 2021
The Polyphonic Concert Club is a collective of musicians – including Isata Kanneh-Mason and I Fagiolini – offering recorded chamber recitals released weekly through March and April. Read more... |
Messiah highlights, English National Opera, BBC Two review – short-cut sorrow and redemptionSunday, 04 April 2021
Well, it wasn’t quite Messiah, but it was a source of joy. In ENO’s end-of-lockdown staging, BBC Two’s transmission of Handel’s resurrection song delivered a scant 54 minutes of music from the Coliseum on Easter Saturday. Read more... |
Bach St John Passions from Oxford and Stockholm online review – theatrical drive from Gardiner, interiority under HardingSaturday, 03 April 2021
Last Easter, viewing options were limited: no-one who saw it will forget a version of Bach’s St John Passion from the church where it was first performed in 1724, Leipzig’s Thomaskirche, with an idiosyncratic tenor taking all the parts other than the chorales – live from a quintet and streamed in from around the world – and accompanied only by organ/harpsichord and percussion. Read more... |
Ibragimova, Davies, Sampson, Arcangelo, Wigmore Hall online review – baroque masterpieces played with verveThursday, 01 April 2021
The baroque music ensemble Arcangelo have been around since 2010 but I hadn’t heard them before this pair of concerts streamed from Wigmore Hall in the last week. But what I heard has certainly encouraged me to seek out more – and they have quickly built up a large discography ready to be tucked into. Read more... |
Tenebrae, Short, Wigmore Hall online review - reflections for Holy WeekWednesday, 31 March 2021
A year into the pandemic, it is hard to imagine anybody relishing the prosect of Lenten austerity. But the liturgical calendar trundles on, and here we are in Holy Week. The aptly named Tenebrae Choir, under conductor Nigel Short here offer a traditional Lent programme, mostly solemn but with a few lighter numbers. Read more... |
Lewis, Hallé, Thórarinsdóttir online review - serenity and spiceFriday, 26 March 2021
For the newest performance of their part-postponed “Winter Season” on film, the Hallé return to their rehearsal and performance centre in Ancoats, and with the help of piano soloist-director Paul Lewis and guest leader-director Eva Thórarinsdóttir offer a display of the capability of their orchestra members as chamber musicians. Read more... |
Isata Kanneh-Mason, Hallé, Elder online review - triumphant film returnFriday, 19 March 2021
Sir Mark Elder and the Hallé are back in the Bridgewater Hall for the first programme in the second tranche of the orchestra’s digital Winter Season – filming that had to be postponed from its original planned date but is triumphantly achieved now. As before, the full orchestra is accommodated with a monster extension of the platform to allow for adequate distancing. Read more... |
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