wed 25/06/2025

Classical Reviews

Carducci Quartet, Wigmore Hall review - complexity and depth

Gavin Dixon

This programme was a bit of a calling card from the Carducci Quartet. They have previously recorded all three works, and the three composers, Haydn, Shostakovich, Beethoven, clearly play to their strengths.

Read more...

'You have to be willing to kill your darlings': conductor Clark Rundell on advice from composer Louis Andriessen (1939-2021)

Clark Rundell

It’s taken me a day to try to find some words to share at the passing of my dear friend, mentor and guardian angel Louis Andriessen and I’m grateful to theartsdesk for giving me the space. It is such a profound loss because of the profound gifts he gave us. His fabulous music is deep, tender, highly personal and achingly beautiful but also funny, ironic, joyful and deliciously vulgar.

Read more...

Dunedin Consort, Butt, Wigmore Hall review – bijou Bach

Gavin Dixon

The Edinburgh-based Dunedin Consort are regular visitors to the Wigmore Hall, and their concert on Saturday night was greeting by a full house.

Read more...

Never to Forget, Spitalfields Festival review – moving musical tributes to lost care and health workers

Bernard Hughes

During early lockdown in 2020 Howard Goodall published an article pondering the role of the composer in a pandemic. His answer was that music has throughout history been successful at memorialising people and events, and that it could do so again.

Read more...

Tenebrae, Short, Saffron Hall review - from dark shadows to bright heavens

David Nice

While the big choral societies are asking, with good cause, why they remain silenced when it’s OK for football fans to sing on the terraces, the top voices of smaller ensembles are being heard again by select audiences.

Read more...

Hallé, Berglund, Bridgewater Hall, Manchester review - taking Beethoven seriously

Robert Beale

Tabita Berglund is that rare species, an up-and-coming orchestral conductor attracting enough attention to secure repeated international bookings in even these straitened times. She also happens to be female and young, which until relatively recently would have been seen as another major handicap to success.

Read more...

Matthews, LPO, Ticciati, Glyndebourne review - out of this world

David Nice

Why travel to Glyndebourne for a concert? Well, for a start, none of us has heard a Mahler symphony live in full orchestral garb for at least 15 months, and though the Fourth is smaller-scale than some, its innocent beginnings belie the cosmic adventures ahead.

Read more...

Uchida, Philharmonia, Salonen, RFH review - Bach to the future

David Nice

In the beginning, 38 years ago, came a career-making Mahler Third Symphony for Esa-Pekka Salonen in his first concert with the Philharmonia. Reassembling that vast epic wouldn't be possible under present circumstances.

Read more...

Bostridge, CBSO, Seal, Symphony Hall Birmingham review - large and live

Richard Bratby

The City of Birmingham Symphony Orchestra believes that its current post-lockdown summer series features the largest orchestra currently performing live in the UK. It’s not an easy claim to verify, and the full string section certainly wasn’t on stage for this matinee performance under the orchestra’s associate conductor Michael Seal.

Read more...

Grosvenor, RSNO, Chan, Glasgow Royal Concert Hall online review - too big for the small screen

Christopher Lambton

By chance, I started watching this streamed concert shortly after hearing a live BBC broadcast of the Philharmonia playing in front of an audience for the first time in over a year.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Brad Mehldau Trio, St George's Bristol review - exquisi...

There's something luminous about the Brad Mehldau Trio. The music they create with such joy shines with a special clarity, in which ever-changing...

Dangerous Matter, RNCM, Manchester review - opera meets scie...

Opera can take many forms and fulfil many purposes: this chamber opera by Zakiya Leeming and Sam Redway is about vaccination. Based on history, it...

Ian Leslie: John and Paul - A Love Story in Songs review - h...

Do we need any more Beatles books? The answer is: that’s the wrong question. What we need is more Beatles books that are worth reading. As the...

Album: BC Camplight - A Sober Conversation

A Sober Conversation is the work of a master songwriter, one who knows how to achieve their goals. As the album’s nine tracks pour from...

Schubertiade 3 at the Ragged Music Festival, Mile End review...

Aldeburgh offered strong competition for the three evenings of Schubert at the discreetly restored Ragged School Museum, but I knew I had to...

Showmanism, Hampstead Theatre review - lip-synced investigat...

I think my problem is that when I should have been listening in school assemblies or RE lessons, I had the Tom Tom Club’s joyous “...

Immersive Night Music Show, Makita, Londinium Ensemble, Worl...

To mark this year’s summer solstice, a small audience gathered at London’s newest concert venue, the World Heart Beat Embassy Gardens, a small and...

theartsdesk on Vinyl 91: Sex Pistols, Pink Floyd, Tropical F...

VINYL OF THE MONTH

Frank From Blue Velvet I Am Frank (Property of the Lost) + Column258...