Classical Reviews
SCO, Swensen, Queen's Hall, EdinburghFriday, 01 May 2015
It was as a violin soloist with the Scottish Chamber Orchestra that Joseph Swensen first appeared, in the mid-1980s, on the Scottish musical scene. He went on to become the orchestra’s principal conductor – a long and fruitful collaboration that lasted from 1996 to 2005. Read more... |
Grivnov, LPO, Jurowski, RFHThursday, 30 April 2015
Deep pain and sadness expressed through intense creative discipline aren’t qualities noted often enough in the music of Sergey Rachmaninov. Yet they’ve been consistently underlined, with rigour to match, in Vladimir Jurowski’s season-long “Inside Out” festival with his London Philharmonic Orchestra playing at a consistent white heat. Read more... |
Ensemble InterContemporain, Pintscher, BarbicanWednesday, 29 April 2015
Be a soloist: take responsibility for yourself. These are not maxims often encountered in musical ensembles where unity of purpose and execution is valued, but they lie behind the philosophy and sheer style of Ensemble InterContemporain, which Pierre Boulez founded in his own image to show confidence in the necessity and vitality of a Modernism always under threat when an easy life and easy listening are so easily bought. Read more... |
Stephen Hough, RFHWednesday, 29 April 2015
It took just two bars of Debussy's La plus que lente for Stephen Hough to transport the entire Royal Festival Hall to Paris. The nearest thing the French composer ever wrote to a café waltz – inspired by a gypsy band in a local hotel – this bewitching, louche yet elusive little piece might in other hands make a more suitable encore than opener. Read more... |
Fitzwilliam Quartet, Hay Chamber Music FestivalSaturday, 25 April 2015
If the thought of the annual trek to Hay-on-Wye for the literary festival in May fills you with as much gloom as it does me (and I don’t have to go as far as most of our readers), you might do worse than sample the town’s chamber music festival this weekend as a healthy change or at least a soothing antidote. Read more... |
Classical CDs Weekly: Arnold, Brahms, Bruch, HartmannSaturday, 25 April 2015
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LSO, Eötvös, BarbicanFriday, 24 April 2015
Time was when a Boulez concert with the LSO would have been directed by the man himself, but that is no longer possible. In Peter Eötvös they have the next best thing, a conductor who has known the man and his music for decades, whose listening ear is scarcely less acute and whose most recent appearance wth the LSO, in Lachenmann and Brahms with Maurizio Pollini, made quite miraculous music from intensive rehearsal. Read more... |
Three Tales, Ensemble BPM, IMAX Science MuseumThursday, 23 April 2015
Poised vibrantly enough between the buried-alive monotony of Philip Glass and the dynamic flights of John Adams, Steve Reich’s Three Tales deserves a special place in music-theatre history ("opera" it is not). Read more... |
Batiashvili, Staatskapelle Berlin, Barenboim, RFHWednesday, 22 April 2015
Gasps of surprise were heard across the country last month, when Richard Morrison on BBC Radio 3's "Building a Library" announced Daniel Barenboim and the Staatskapelle Berlin as his library choice for Elgar’s Second Symphony. That recommendation proved timely for the conductor and his orchestra, who yesterday completed their short London residency with the same symphony. Read more... |
Argerich, Staatskapelle Berlin, Barenboim, RFHTuesday, 21 April 2015
It looked like a potential misalliance between performers used to looking at the stars and a programme of earthly, ideally rather broadly humorous delights. In the event, Martha Argerich, who can turn her high, lucid playing to most ends, sought out a sharp-edged wit if not a relaxed warmth in Beethoven’s First Piano Concerto. The real magic came later in the first half. But in the second, ... Read more... |
Malcolm Arnold: Symphonies 1-9 London Symphony Orchestra/Richard Hickox, BBC Philharmonic/Rumon Gamba (Chandos)Pages
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