sat 21/06/2025

Classical Reviews

Multi-Story Orchestra, Stark, Spitalfields Music Summer Festival

Helen Wallace

Crazy-faced space-hopper, playmobil fireman, marble run: toys from my own childhood, staring at me now from out of glass cases, alongside an 18th century marionette, thread-bare rocking horses and a headless Georgian doll. This concert in the Museum of Childhood could have been a wallow in nostalgia. Instead, with their usual brand of ingenuity, the Multi-Story Orchestra kindled musical artefacts into vibrant life.

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Illuminations, Tynan, Aurora Orchestra, Collon, Snape Maltings

Helen Wallace

Nothing galvanises an audience quite like physical risk. As soprano Sarah Tynan rose on a hoop into the darkness, intoning the final words of "Départ" from Britten's song cycle Les Illuminations, you could almost hear her heart race. Beneath, a troupe of circus performers held the rope – and her life – in their hands.

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Classical CDs Weekly: Borenstein, Satie, Tchaikovsky

graham Rickson


Nimrod Borenstein: Suspended opus 69 das freie orchester Berlin/Laércio Diniz (Solaire Records)

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Matthias Goerne, Daniil Trifonov, Wigmore Hall

alexandra Coghlan

If you needed further proof of the intelligence, the thoughtfulness of Daniil Trifonov’s musicianship, the programme for his four-concert residency at the Wigmore Hall would go a long way towards providing it. How many young soloists of Trifonov’s standing would choose to turn song-accompanist for an evening of lieder? And how many, having done so, would deliver so generous and self-effacing a performance?

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Classical CDs Weekly: Bach, Alison Balsom, Steven Osborne

graham Rickson


Bach: Goldberg Variations Bassoon Consort Frankfurt (MDG)

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Stravinsky: Myths & Rituals, Philharmonia, Salonen, St John’s Smith Square

Bernard Hughes

I had been looking forward to last night's concert since it was first announced over a year ago. For a Stravinsky nut the chance to hear pieces whose live performances are vanishingly rare was not one to be missed. And it turns out there are enough other fans of austere late Stravinsky to sell out St John’s Smith Square, which proved a very suitable venue for this programme.

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CBSO, McGegan, Symphony Hall Birmingham

Richard Bratby

“Our Shakespeare” is the name of the CBSO’s current season. They're making the same point that Ben Elton makes slightly less subtly in Upstart Crow: that Shakespeare was basically a Brummie. And by implication, that four centuries of musical Bardolatory, from Purcell’s The Fairy Queen to Verdi’s Falstaff, is all on some level Made in Birmingham.

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Znaider, LSO, Pappano, Barbican

David Nice

Anger and fear in Elgar, introspection in middle-period Beethoven: these are undervalued qualities in each composer’s music. Yet such moods were vividly present in two hyper-nuanced interpretations last night.

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Classical CDs Weekly: Kenneth Hesketh, Vaughan Williams, Ensemble Pygmalion

graham Rickson


Kenneth Hesketh: horae (pro clara) Clare Hammond (piano) (BIS)

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Cédric Tiberghien, Wigmore Hall

Gavin Dixon

This programme looked like a non-starter on paper, a long sequence of short Bartók dance settings, followed by a second half that was dominated by works for children from Bartók and Kurtág. But it worked, largely thanks to Cédric Tiberghien’s conviction in these short works and his ability to make imposing and decisive statements with a minimum of musical material.

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