sat 21/06/2025

Classical Reviews

Modulus Quartet, Brunel Museum, Rotherhithe

David Nice

"Total immersion", the term used for the BBC Symphony's one-composer days, takes on a whole new meaning in the Thames Tunnel Shaft now transformed – but fortunately not subject to makeover – under the mantle of Rotherhithe's Brunel Museum.

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Classical CDs Weekly: Michael Nyman, Stravinsky, Emily Pailthorpe

graham Rickson


Michael Nyman and The Tempest – Prospero’s Books and Noises, Sounds & Sweet Airs (MN Records)

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Two Quixotes, The English Concert, Bicket, Wigmore Hall

David Nice

They dreamed the impossible dream in 1970, turning aspects of Cervantes' Don Quixote into the musical Man of La Mancha. But Purcell, Eccles and the lively dramatist Thomas D'Urfey - anyone know his hit song "The Fart"? - got there first nearly 300 years earlier when the Knight of the Woeful Countenance trod the boards at Drury Lane's Theatre Royal in a seven-hour entertainment.

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Last Night of the Proms, BBCSO, Oramo

Bernard Hughes

I had never been to the Last Night of the Proms until last night, nor really paid much attention to it in recent years. To the extent I did, I have been resentful of the fact that to many people it represents the Proms as a whole, with its flag waving and fancy dress, although in fact it is utterly atypical. But I went in the spirit of trying anything once and I’m glad I did, although once is probably enough.

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Prom 74: Verdi Requiem, OAE, Alsop

Gavin Dixon

Tradition – a choral spectacular for the penultimate night of the Proms – but with a twist – a youth choir and period instruments. Marin Alsop this evening led a spectacular Verdi Requiem, not least for the sheer scale of the chorus, the BBC Proms Youth Choir some 200 strong.

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Classical CDs Weekly: Elgar, Alec Roth, Australian Brandenburg Orchestra

graham Rickson

 

Elgar: Symphony No. 1, In the South Orchestra dell’Accademia Nazionale di Santa Cecilia/Antonio Pappano(ICA Classics)

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Prom 71: Staatskapelle Dresden, Thielemann

Peter Quantrill

You know what they say about men with big hands. Christian Thielemann has them, that’s for sure. Massive, meat-cleaving clappers, carving through the air. They give a pretty heavy upbeat too, and a generalissimo’s point and jab for a cue. If you’re a back-desk violinist in the Dresden Staatskapelle, you know when you’ve been Thielemanned.

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Prom 71: Trifonov, Staatskapelle Dresden, Thielemann

David Nice

Soft power in the shape of cultural ambassadors can go a long way. With a little help from its big guns in banking and industry, Germany has given this year's Proms no less than four of its major orchestras – from Leipzig, two from Berlin, and now from Dresden: all the more reason to wave those EU flags on a typically international Last Night in three days' time.

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Prom 70: Staatskapelle Berlin, Barenboim

Gavin Dixon

Daniel Barenboim is as distinctive as he is unpredictable. His considerable strengths – dynamism, passion, keen intellectual engagement – are balanced by some notable weaknesses – clunky tempo changes, lack of detail – but all configure differently in each performance.

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Prom 67: Simón Bolívar Symphony Orchestra, Dudamel

David Nice

Gone, it seems, is the era of epic three-part Proms. Sunday afternoon's programme, partly billed as a children's hour, might have pleased pianist and pundit Stephen Hough, whose recent broadsheet plea for shorter concerts somewhat overdid the need (lunchtime events already cater to concertgoers in a hurry very well, and the Proms has its late-nighters too).

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