mon 16/06/2025

Visual Arts Reviews

Kafou: Haiti, Art and Vodou, Nottingham Contemporary

Mark Hudson

I’ve rarely come across an exhibition as loaded with context as this one. Voodoo – or Vodou, as the show has it – is a massively complex and contested phenomenon, from the pin-sticking and zombies of legend and fantasy to the no-less colourful reality. Haitian history is tragic and dramatic, fraught with misinformation stemming from the country’s creation in an 18th century slave revolt.

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Painting the Queen: A Portrait of Her Majesty, BBC Four

Fisun Güner

Has there ever been a successful portrait of the Queen? Not a photograph - there are been plenty of those (with its delicious air of ambivalence, Thomas Struth’s portrait of the Queen with Prince Philip stiffly occupying two ends of a sofa at Windsor Castle, is among the best) but a painted portrait.

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Hollywood Costume, Victoria & Albert Museum

Marina Vaizey

Going to the movies will never be quite the same again, as the Victoria & Albert illuminates the work of the costume designers for anybody who has ever been seduced by the world of the cinema, which I guess means all of us. This anthology is a trip down memory lane, from Charlie Chaplin’s tramp to John Wayne’s cowboys and gunslingers.

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Richard Hamilton: The Late Works, National Gallery

Marina Vaizey

This small, posthumous exhibition illuminates Richard Hamilton’s life-long engagement with both the art of the past and the latest techniques and technological possibilities available to visual artists in the 21st century. He played with photography, computers, notably digital manipulation, and even built several of his own computers. And he was as fascinated with print media – utilising found imagery from all kinds of publications - as with pencil and paint. He was a polymath.

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Frieze Masters Art Fair, Regent's Park

Josh Spero

Things have come to a pretty pass when the old is a breath of fresh air and the new just old hat, but the Frieze Masters art fair in Regent's Park, which closes this weekend, is just that. New sister to Frieze London, which features art since 2000, Frieze Masters is about the best of what came before. And boy is that good.

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William Klein + Daido Moriyama, Tate Modern

Sarah Kent

William Klein’s exhibition opens with Broadway by Light (1958), a celluloid elegy to advertising made in the days before neon. Myriad bulbs flash the names of brands like Coca Cola, Camel, Budweiser and Pepsi across New York’s night sky.

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Rothko/Sugimoto: Dark Paintings and Seascapes, Pace Gallery

Steven Gambardella

Half-way through Death in Venice, Thomas Mann's tragic hero, Aschenbach, settles down on a beach to gaze out to the sea to "take shelter from the demanding diversity of phenomena in the bosom of boundless simplicity". Aschenbach is suddenly returned to earthly complications when the horizon is intersected by the boy he desires.

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Turner Prize 2012, Tate Britain

Fisun Güner

There are two films in the Turner Prize exhibition and taken together and watched end-to-end they last just under three hours. That sounds gruelling for an art exhibition, but they’re from the strongest two candidates on this year’s shortlist. And since neither is one of those poorly filmed and edited pieces that are best viewed as moving wallpaper as you drift in and out of the gallery, both are worth devoting time to.

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Thomas Schütte: Faces and Figures, Serpentine Gallery

Marina Vaizey

On the evidence of this Serpentine exhibition of huge sculptures, small sculptures, photographs, drawings, watercolours and prints, the German artist Thomas Schütte is obsessed, but obsessed, with faces. It is billed as the first show to focus entirely on his portraiture, of himself, his friends, and from the imagination. And the focus helps the visitor to grasp how playfully serious – or seriously playful – the artist is.  

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Renaissance to Goya: Prints and Drawings from Spain, British Museum

Marina Vaizey

Alonso Berruguete, Vicente Carducho, Juan Antonio Conchillos y Falco and Pedro Machuca are hardly familiar names in the Anglophone art world, but their drawings are on view in a revelatory exhibition. The British Museum is showing nearly all its Spanish drawings and a fine, succinct collection of prints, in an anthology called From the Renaissance to Goya

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