Visual Arts Reviews
Gerhard Richter, Marian Goodman GalleryFriday, 24 October 2014
Another October and another Frieze week just passed. This means the biggest of big hitters have been turning up in London. The economic quantifiers aren’t precise, but there have been plenty of estimates. Hordes of well-heeled visitors mean big profits for hotels, restaurants, shops and transport. Read more... |
Russian Avant-Garde Theatre, Victoria & Albert MuseumThursday, 23 October 2014
Installed in the main exhibition space, this could have been a blockbuster show introducing a large audience to an important moment in Russian Theatre; but tucked away in the Department of Theatre and Performance, where spaces are narrow and galleries small, there is little room to show off these superb exhibits to their best advantage. Only the initiated will, I fear, brave these claustrophobic corridors and persevere long enough to appreciate the goodies on offer. Read more... |
Grayson Perry: Who Are You?, Channel 4Thursday, 23 October 2014
The night before he was locked up, Chris Huhne had that Grayson Perry round for tuna steaks. Who knew? Perry was embarking on a series of portraits about identity at a crossroads, and can there be a more public crisis of identity than a Cabinet minister going to prison? But first Perry wanted to get to know his subject. Huhne was resistant to probing. Read more... |
Pierre Huyghe/ Paul McCarthy, Hauser & WirthWednesday, 22 October 2014
In a tavern somewhere in Tokyo, two Japanese macaque monkeys work a daily, two-hour shift (under Japanese law, these hours are regulated). Dressed in miniature uniforms, the monkeys’ main task is to deliver hot towels to amused customers before drinks orders are taken by a human. The customers tip the monkeys in boiled soy beans. Read more... |
Andrew Logan’s Alternative Miss World, Globe TheatreTuesday, 21 October 2014
On Saturday at Shakespeare’s Globe, the Alternative Miss World was staged for the 13th time. Having launched this gloriously tacky event in his Hackney studio in 1972, artist Andrew Logan promises to carry on the tradition until the day he dies; but it’s last showing – at the Roundhouse five years ago – nearly bankrupted him. Read more... |
Witches and Wicked Bodies, British MuseumTuesday, 21 October 2014
Wicked women have always sold well, but more than that, they have fired the artistic imagination in a quite exceptional way. Exploring the depiction of the witch from the 15th to the 19th century, this exhibition is packed with images that must number amongst the most dramatic, atmospheric and gripping ever made, proof if it were needed of the energising effects of a truly inspiring subject. Read more... |
The spooky and the bold in the art of contemporary ChinaSunday, 19 October 2014
In China there are more than 100 million fans of Manchester United. At least that’s what I’m told when I get to the the city's National Football Museum. And in a sartorial decision unusual in the art world, we are greeted by artist Chen Wenbo wearing an Arsenal football scarf. In sport, as in contemporary art, the Chinese are often playing the same game as us. Read more... |
Schama on Rembrandt: Masterpieces of the Late Years, BBC TwoSunday, 19 October 2014
The chatty, loquacious, exuberant Simon Schama, whose seminal 1987 book on Holland in the 17th century, The Embarrassment of Riches, transformed the anglophone’s understanding of the Dutch Republic, describes himself as historian, writer, art critic, cook, BBC presenter. He is also the University Professor of History and Art History at Columbia, and has written 14 substantial and even significant books. Read more... |
Richard Serra, Gagosian GallerySaturday, 18 October 2014
The septuagenarian American sculptor Richard Serra can treat the most massive sheets of steel as though they are handy pieces of paper for his version of origami; or he can decide to stack huge dense metal blocks as though they were children’s play bricks. Read more... |
Germany: Memories of a Nation, British MuseumThursday, 16 October 2014
There is a 1953 Volkswagen parked in the Great Court of the British Museum, and we are reminded that Hitler persuaded Frederick Porsche (who gave his name of course to a hideously expensive luxury automobile) to design a people’s car. The postwar economic miracle of the defeated Germany finally allowed the Beetle to go into mass production; 21 million of them in fact – the largest number of a single model ever produced, until its hugely successful run ended in 2003. Read more... |
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