Visual Arts Reviews
Madonnas and Miracles: The Holy Home in Renaissance Italy, Fitzwilliam Museum, CambridgeTuesday, 14 March 2017
A lovely, scholarly and gently revelatory exhibition, Madonnas and Miracles explores a neglected area of the perennially popular and much-studied Italian Renaissance – the place of piety in the Renaissance home. We are used to admiring the great 15th- and 16th-century gilded altarpieces and religious... Read more... |
Bruegel, Holburne Museum, BathSaturday, 11 March 2017
Painted in c.1640, David Teniers the Younger’s Boy Blowing Bubbles depicts a theme that would have been entirely familiar to his wife’s great-grandfather, the founder of one of art’s most illustrious dynasties, Pieter Bruegel the Elder (c.1525-1569). Read more... |
Gillian Wearing and Claude Cahun, National Portrait GalleryFriday, 10 March 2017
This show of work by two artists who use photography to explore the complexities of their own identity has to be the most interesting exhibition ever staged at the National Portrait Gallery, and opening in the same week as International Women's Day couldn't be more fitting. |
Deutsche Börse/Roger Mayne, Photographers' GallerySaturday, 04 March 2017
Lending its name to a major photography prize for the 12th year running, Deutsche Börse has joined the ranks of business organisations known to many for their involvement in the arts rather than what they actually do. Unlike Taylor Wessing or Man Booker, the clue is in the name: German Stock Exchange is reasonably self-explanatory, at least if you speak the language. Read more... |
Vanessa Bell, Dulwich Picture GalleryTuesday, 28 February 2017
The Other Room, dating from the late 1930s, is the largest painting in Dulwich Picture Gallery's landmark retrospective, the first show to be dedicated to Vanessa Bell since a posthumous Arts Council show in 1964. Read more... |
America After the Fall, Royal AcademyThursday, 23 February 2017
It may be a cliché to say that this is a “timely” exhibition, but America After the Fall invites irresistible parallels with Trump’s America of today. Read more... |
Revolution: Russian Art 1917-1932, Royal AcademyMonday, 13 February 2017
This must be the most depressing exhibition I have ever seen. Dedicated to the leaders of the Russian Revolution, the first room features official portraits by Isaak Brodsky of Lenin and Stalin plus drawings and models of Lenin’s vast mausoleum in Moscow’s Red Square. Read more... |
Sunday Book: Philip Hook - Rogues' GallerySunday, 12 February 2017
The art dealers of today must be thanking their lucky stars that Philip Hook’s remarkable history of their trade stops where it does. For while it serves as an eminently useful if rather specialised reference book, it’s a history pushed along by a ferocious analysis of the art dealing fraternity, the general thrust of which is encapsulated in its no-nonsense title. Read more... |
David Hockney, Tate BritainWednesday, 08 February 2017
As the UK prepares for a particularly severe cold snap, the opening of David Hockney’s major retrospective at Tate Britain brings a welcome burst of Los Angeles light and colour and Yorkshire wit and warmth. The exhibition, which opens in the lead-up to Hockney’s 80th birthday, will be deservedly popular... Read more... |
Michael Andrews, Gagosian GalleryTuesday, 31 January 2017
Drifting, floating, running, crowding: all these feelings of movement and stasis apply in a mesmerising selection of scenes, imagined and observed over 40 years by a true original. Michael Andrews (1928-1995), born and brought up in Norwich, studied at the Slade School during a golden period. Read more... |
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