Visual Arts Features
'I photographed Nelson Mandela'Friday, 06 December 2013
In 1997 I was in South Africa working on Truth and Lies, my book about the Truth and Reconciliation Commission, when the New York Times Magazine said that they were doing a major feature on Mandela. He’d been in office for three years. The photographs were taken in the presidential house, the former seat of the oppressors. It felt very surreal for me because even the décor was Cape Dutch furniture. It was not what you might imagine for a black president. Read more... |
Turner Prize 2013: Laure Prouvost's work is visually seductive, funny and cleverTuesday, 03 December 2013
According to one broadsheet, Laure Prouvost was a “rank outsider” and the money was on comic doodler David Shrigley and the elusive Tino Seghal, he of those ghastly, utterly patronising performances designed to jolt the guileless gallery-goer from his or her imagined complacence. Her narratives are ambiguous, layered, unreliable, fragmented Read more... |
Art and poetry: the image makersSunday, 01 December 2013
When it comes to a blank page, artists and poets lead different kinds of lives and leave different kinds of marks. One for the eye, one for the ear, but both dependant on the thrill of recognition. The word, like paint, can be worked and reworked until the delight of a new image, a fresh metaphor in its right setting rings from the twisted garbage of lines in a notebook. Read more... |
theartsdesk in Dunkirk: The spirit of FRACWednesday, 27 November 2013
Those French and their grand projects! Not the least of them is the division of the country into 23 areas who acquire their own collections of international contemporary art, supplemented by a national loan collection, all under the rubric of FRAC, Fondation Régionale d’Art Contemporain. This 30-year programme has just opened a massive six-storey gallery as a brand new public face for the regional collection of the Nord-pas-de-Calais in the slightly forlorn city of Dunkirk. Read more... |
theartsdesk in Amsterdam: Being Kazimir MalevichSaturday, 23 November 2013
All eyes were on the Rijksmuseum when it re-opened in April after a 10-year refurbishment, but across the Museumplein, Amsterdam's gallery of contemporary and modern art, the Stedelijk, was already settling into its new look, unveiled six months before. Read more... |
Listed: Who shot/staged/fictionalised JFK?Saturday, 16 November 2013
On 22 November 1963 President John F Kennedy was shot, yoking his name to an ex-marine and sometime defector to the USSR called Lee Harvey Oswald. Everyone old enough to remember is said to know where they were when they heard. As America dealt with its trauma, the conspiracy theories started,and spawned well over 1,000 books. The assassination also became the focus for artists in all art forms - in literature, theatre, film and even music. Read more... |
Lumiere Festival 2013, DurhamSaturday, 16 November 2013
The trumpeting of a lone elephant can be heard all around Durham city centre, blasting across the River Wear. The organisers of Artichoke’s Lumiere Festival, now in its third biennial year, have been turning up the volume as the evening’s progressed. The 3D elephant, which is the work of French design group Top’là, is a magnificent optical illusion projected onto a replica medieval fortress arch on Elvet Bridge, complete with thunderous audio. Read more... |
Analogue - Rock Portraits by Tom Sheehan, Lomography Gallery Store EastWednesday, 13 November 2013
I've known rock photographer Tom Sheehan since we worked together at the Melody Maker in the 1980s, but even I didn't know that his stellar career stretches back "almost 40 years", or so it says in the programme notes for his new exhibition, Analogue, at the Lomography Gallery Store East in Spitalfields. Read more... |
Anthony Caro, 1924-2013Thursday, 24 October 2013
Sir Anthony Caro, who died on Wednesday of a heart attack aged 89, was an artist who remained not only active but inventive to the last. Read more... |
Gallery: Derwent Art PrizeFriday, 20 September 2013
You can use a computer to draw, as Hockney does, every day on his iPad, yet, despite all the technological advances the 21st century has thrown our way, the pencil continues to be the artist’s most basic tool. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Bradford City of Culture 2025 review - new magic conjured fr...
Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather....
Album: Death In Vegas - Death Mask
A long time ago, in a galaxy far, far away called the late 1990s,...
La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...
Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...
Dept. Q, Netflix review - Danish crime thriller finds a new...
Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...
The Queen of Spades, Garsington Opera review - sonorous glid...
Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...
Blu-ray: Eclipse
What constitutes a “lost classic”? I guess we can’t say it’s an oxymoron, since we readily accept the concept of “instant classic”? Either way,...
The Ballad of Wallis Island review - the healing power of th...
I think The Ballad of Wallis Island is the best...
Music Reissues Weekly: Pete Shelley - Homosapien, XL-1
Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the...
The Salt Path review - the transformative power of nature
“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by...