Visual Arts Features
Søren Dahlgaard’s Dough PortraitsSunday, 03 January 2016
Can a portrait really be a portrait if we can’t see a person’s face? And what if the reason we can’t see their face is that it is covered with a lump of dough? Is it a joke? And if it is a joke, is it on us or them? Or perhaps it is a joke about art itself: doughy masks aside, Dahlgaard’s portraits are in every other way conventional, and dough is not so dissimilar to clay, a venerable material in the history of art. Read more... |
Best of 2015: ArtMonday, 28 December 2015
From weaselly shyster to spineless drip, the biographies of Goya’s subjects are often superfluous: exactly what he thought of each of his subjects is jaw-droppingly evident in each and every portrait he painted. Quite how Goya got away with it is a question that will continue to exercise his admirers indefinitely, but it is testament to his laser-like insight that he flattered his subjects enough that they either forgave or didn’t notice his damning condemnations in paint. Read more... |
Yuletide Scenes: Giotto's NativityThursday, 24 December 2015
Some time in the late 1280s, the artist Cimabue was wandering in the Tuscan countryside when he chanced upon a boy shepherd. Read more... |
Yuletide Scenes: Ben Nicholson's Christmas Night, 1930Wednesday, 23 December 2015
On this dark, silent night as the world holds its breath in anticipation, everything is still but for the occasional whisper of a breeze ruffling the curtains. It is so quiet that a deer, that most nervous of creatures, has tiptoed all the way up to the window, gazing beyond us to a point further inside the room. Read more... |
Yuletide Scenes: David Jones' Nativity with Shepherds and Beasts RejoicingTuesday, 22 December 2015
David Jones’ black and white drypoint – a drawing made by incising lines on a copper plate with a diamond-tipped needle and then printing from the plate – is a view of the nativity which is fresh, full of wonder and a highly intelligent naïveté. It shows all the sophistication of an artist who has looked at the art of the past but is also fully aware of modernism’s confusions of perspective, able to deploy them even when depicting recognisable scenes. Read more... |
Yuletide Scenes: Piero della Francesca's NativityMonday, 21 December 2015
At first sight Piero della Francesca’s The Nativity appears to be a simple picture, especially when compared with more flamboyant depictions of the scene by artists such as Gentile de Fabriano, Botticelli and Rubens. Like a director staging a play on a limited budget, Piero has been sparing with his cast, props and scenery. Read more... |
Collected through Love: The Michael Woodford BequestSunday, 13 December 2015
Art collectors are rarely what one might expect. Everyone has their particular enthusiasms, quirks and foibles, which make their collections unique and reflective of their tastes. In my career as a curator I have learnt never to have preconceptions when visiting collectors. The best pictures can often be found in the most modest of homes. Nothing can beat the buzz of encountering an iconic artwork in the most unlikely of settings. Read more... |
An Open Book: Chantal JoffeTuesday, 15 September 2015
Huge canvases, bold, expressive brushwork and a full-bodied, vibrant palette. Chantal Joffe’s figurative paintings are certainly striking and seductive. Citing American painter Alice Neel and American photographer Diane Arbus as two abiding influences, Joffe’s portraits are predominantly of women and children who often convey a sense of awkwardness and social unease. Read more... |
An Open Book: Bruce McCallSaturday, 15 August 2015
Polo played in surplus First World War tanks; zeppelin-shooting as a gentlemanly leisure pursuit; the mighty vessel RMS Tyrannic, proud host of the Grand Ballroom Chariot Race and so safe "that she carries no insurance". These are just some of Canadian satirical writer and artist Bruce McCall’s ingenious retro-futurist creations. Read more... |
An Open Book: Conrad ShawcrossSaturday, 08 August 2015
From complex machines, whirring busily but with no useful function, to structures that allude to the fundamental building blocks of the universe, Conrad Shawcross (born 1977) uses sculpture to explore the big ideas of philosophy and science. A graduate of the Ruskin School of Drawing and Fine Art and the Slade School of Art, he bacame the youngest living Royal Academician in 2013. This year – punctuated by a series of prestigious public sculptures – has been his busiest yet. Read more... |
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