wed 04/06/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Crazy For You, Gillian Lynne Theatre review - high-kicking heaven

Read more...

Dear England, National Theatre review - filtering the national narrative through sport

Read more...

Aspects of Love, Lyric Theatre review - not much has actually changed

Read more...

Beau is Afraid review - life's ordeals in lengthy detail

Read more...

The Motive and the Cue, National Theatre review - theatrical titans face off

Read more...

Dancing at Lughnasa, National Theatre review - largely ravishing Brian Friel revival

Read more...

Private Lives, Donmar Warehouse review - Coward revival cuts to the quick

Read more...

Allelujah review - Alan Bennett put through the blender

Read more...

Oscars 2023 - the favourite lives up to its title

Read more...

Shirley Valentine, Duke of York's Theatre review - Sheridan Smith slays it

Read more...

Best of 2022: Theatre

Read more...

Best of Enemies, Noel Coward Theatre review - opposites attract, sort of

Read more...

Matilda the Musical review - a dizzying, smartly subversive delight

Read more...

Bones and All review - eat, don't heat

Read more...

The Band's Visit, Donmar Warehouse review - still waters run bittersweet

Read more...

Eureka Day, Old Vic review - fun if not entirely fulfilling

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Little Simz - Lotus

Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”:...

Letters from Max, Hampstead Theatre review - inventively sta...

In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of...

Bradford City of Culture 2025 review - new magic conjured fr...

Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather....

Album: Death In Vegas - Death Mask

A long time ago, in a galaxy far, far away called the late 1990s,...

La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...

Dept. Q, Netflix review - Danish crime thriller finds a new...

Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...

The Queen of Spades, Garsington Opera review - sonorous glid...

Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...

Blu-ray: Eclipse

What constitutes a “lost classic”? I guess we can’t say it’s an oxymoron, since we readily accept the concept of “instant classic”? Either way,...