sat 02/08/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

The Baker's Wife, Menier Chocolate Factory review - loving reappraisal doesn't entirely, well, rise

Read more...

Starlight Express, Troubadour Wembley Park Theatre review - freight is kinda great

Read more...

Romeo and Juliet, Duke of York's Theatre review - doomy and deathly, and much-hyped

Read more...

Long Day's Journey Into Night, Wyndham's Theatre review - O'Neill masterwork is once again driven by its Mary

Read more...

Opening Night, Gielgud Theatre review - brave, yes, but also misguided and bizarre

Read more...

Power of Sail, Menier Chocolate Factory review - alternately stiff and startling

Read more...

Oscars 2024: politics aplenty but few surprises as 'Oppenheimer' dominates

Read more...

Uncle Vanya, Orange Tree Theatre review - Chekhov served up choice

Read more...

Wicked Little Letters review - sweary, starry film is mostly strange

Read more...

An Enemy of the People, Duke of York's Theatre - performative and predictable

Read more...

The Hills of California, Harold Pinter Theatre - ladies' night for Jez Butterworth

Read more...

Dear Octopus, National Theatre - period rarity is a real pleasure

Read more...

Plaza Suite, Savoy Theatre review - real-life married couple brings panache and pain to period comedy

Read more...

The Color Purple review - sensational second time round for Alice Walker's novel on screen

Read more...

Best of 2023: Theatre

Read more...

Pacific Overtures, Menier Chocolate Factory review - lesser-known Sondheim scores afresh

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...

Album: Reneé Rapp - Bite Me

The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina...

The Narrow Road to the Deep North, BBC One review - love, de...

Readers of Richard Flanagan’s Booker-winning novel will be familiar with its themes of war, extreme suffering, ageing, memory, fidelity and...

BBC Proms: Kholodenko, BBCNOW, Otaka review - exhilarating L...

According to the programme, Lutosławski’s Concerto for Orchestra is heard somewhere around the world every other week. In which case I’ve...