sat 02/08/2025

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Words on Bathroom Walls review - well-meaning but glib

Read more...

Death of England: Delroy, National Theatre review - a furious if fleetingly seen sequel

Read more...

Nine Lives, Bridge Theatre review - engaging if slim finale to ambitious solo season

Read more...

The Lie review - icily intriguing until it isn't

Read more...

Hermione Lee: Tom Stoppard, A Life review - the last word on a theatrical wordsmith

Read more...

Nights in the Garden of Spain & Miss Fozzard Finds Her Feet, Bridge Theatre review - potent mix of pain and comedy

Read more...

Rialto review - beautifully acted but relentless

Read more...

Playing Sandwiches & A Lady of Letters, Bridge Theatre review - the darkness dazzles, twice over

Read more...

Broken Hearts Gallery review - effortfully entertaining

Read more...

Rose, Hope Mill Theatre online review - a performer at her peak

Read more...

Get Duked! review - briefly endearing, then a chore

Read more...

Declan, Traverse Theatre online review - compressed and compelling

Read more...

Chemical Hearts review - turn off the sound

Read more...

A Little Night Music, Opera Holland Park review - wasn't it bliss?

Read more...

Theatre Unlocked 4: Shows in concert and a contemporary classic comes to TV

Read more...

Perfect 10 review - a small movie with a big heart

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...

Album: Reneé Rapp - Bite Me

The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina...

The Narrow Road to the Deep North, BBC One review - love, de...

Readers of Richard Flanagan’s Booker-winning novel will be familiar with its themes of war, extreme suffering, ageing, memory, fidelity and...

BBC Proms: Kholodenko, BBCNOW, Otaka review - exhilarating L...

According to the programme, Lutosławski’s Concerto for Orchestra is heard somewhere around the world every other week. In which case I’ve...