Katherine Waters

Articles By Katherine Waters

Gazelle Twin, Mirth, Marvel and Maud review - sardonic folk Saturday, 14 September 2019 Read more...	Anahera, Finborough Theatre review - blistering family drama from New Zealand Saturday, 07 September 2019 Read more...
Peaches, Royal Festival Hall review - blissful anarchy Thursday, 29 August 2019 Read more...	Barber Shop Chronicles, Roundhouse review - riotous theatre at its best Thursday, 25 July 2019 Read more...
Helen Schjerfbeck, Royal Academy review - watchful absences and disappearing people Monday, 22 July 2019 Read more...	Svetlana Alexievich: Last Witnesses: Unchildlike Stories review - anything but childish Sunday, 30 June 2019 Read more...
Cutting Edge: Modernist British Printmaking, Dulwich Picture Gallery review - a cut above Wednesday, 19 June 2019 Read more...	Napoli, Brooklyn, Park Theatre review - lacking substance Tuesday, 18 June 2019 Read more...
Education, Education, Education, Trafalgar Studios review - politics and pupils, mayhem and music Thursday, 06 June 2019 Read more...	Frank Bowling, Tate Britain review - a marvel Wednesday, 05 June 2019 Read more...
Manga, British Museum review - stories for outsiders Thursday, 23 May 2019 Read more...	Anish Kapoor, Lisson Gallery review - naïve vulgarity and otherworldly onyx Tuesday, 21 May 2019 Read more...
58th Venice Biennale review - confrontational, controversial, principled Tuesday, 14 May 2019 Read more...	Cathy Wilkes, British Pavilion, Venice Biennale review - poetic and personal Tuesday, 14 May 2019 Read more...
Mike Jay: Mescaline - A Global History of the First Psychedelic review - multiple perspectives Sunday, 12 May 2019 Read more...	Who’s Afraid of Drawing? Works on Paper from the Ramo Collection, Estorick Collection review - surprising and rewarding Thursday, 25 April 2019 Read more...

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Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...

Album: JF Robitaille & Lail Arad - Wild Moves

Around eight years ago, London singer-...

Alfred Brendel 1931-2025 - a personal tribute

Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last year or...

Chicken Town review - sluggish rural comedy with few laughs...

Fans of the character comedian Graham Fellows will possibly turn up for this British film starring the man who created the punk parody...