sat 07/06/2025

Gavin Dixon

Gavin Dixon's picture
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

JACK Quartet, Wigmore Hall review – superlative Elliott Carter quartets

Read more...

Soltani, LPO, Gardner, RFH review – disciplined and dynamic accounts

Read more...

Bach St John Passion, Les Arts Florissants, Christie, Barbican review – sombre but engaging

Read more...

Monteverdi Vespers, The Sixteen, Christophers, Cadogan Hall review – majesty on a modest scale

Read more...

Damrau, BRSO, Jansons, Barbican review - broad and passionate Strauss

Read more...

Ehnes, BBCSO, Ryan Wigglesworth, Barbican review - a concert of two very different halves

Read more...

LSO, Rattle, Barbican review - Bartók dances, Bruckner sings

Read more...

Thomas Adès, Wigmore Hall review - playful and erratic Janáček

Read more...

The Swingles, LPO, Jurowski, RFH review – austere Stravinsky, luminous Berio

Read more...

Mitsuko Uchida, Royal Festival Hall review - conviction and grace

Read more...

theartsdesk in Warsaw - Penderecki at 85

Read more...

The English Concert, Bicket, Wigmore Hall review – small-scale Bach

Read more...

Lawson, London Sinfonietta, Kings Place Review – diverse explorations of time

Read more...

Radamisto, English Touring Opera review - propulsive, lively Handel

Read more...

Das Rheingold, Royal Opera review - high drama and dark comedy

Read more...

Ian Bostridge, Thomas Adès, Wigmore Hall review - haunting, brutal Schubert

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Ballerina review - hollow point

John Wick’s simple story of a man and his dog became a bonkers, baroque franchise in record time, converting Keanu Reeves’ limited acting into Zen...

Caroline, Islington Assembly Hall review - south London octe...

In 2022 I called caroline “perhaps the best band in the U.K” in my article about their debut, which I named my album of the year....

theartsdesk in Fes - world music central

With WOMAD not happening this year, where could one go for a feast of...

Songhoy Blues, Hare & Hounds, Birmingham review - West A...

No-one needs to be living in Trump’s USA to be aware that governments never feel that it’s in their interest to prioritise great art and music...

Album: Pulp - More

While the Gallagher brothers scrabble around in the dirt for their rich pickings, an altogether more...

Goebbels and the Führer review - behind the scenes from the...

“Do you know the name of the propaganda minister of England, or America, or even Stalin? No. But Joseph Goebbels? Everyone knows him.” The cynical...

Album: Turnstile - NEVER ENOUGH

Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to evolution. Since...

Fiddler on the Roof, Barbican review - lean, muscular delive...

It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings...