tue 05/08/2025

Gavin Dixon

Gavin Dixon's picture
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Brockes-Passion, Arcangelo, Cohen, Wigmore Hall review – hybrid Handel

Read more...

The Seraglio, English Touring Opera review – focused and light

Read more...

Orpheus and Eurydice, English National Opera review – imaginative but underwhelming

Read more...

Don Giovanni, Royal Opera review - laid-back Lothario

Read more...

LSO, Rattle, Barbican Hall review – visions of the beyond

Read more...

Last Night of the Proms, Barton, BBCSO, Oramo review – woke not broke

Read more...

Prom 69: Stikhina, Czech Philharmonic, Bychkov – dark textures and powerful passions

Read more...

Prom 25: Gabetta, BBCSO, Stasevska review – stunning Weinberg debut

Read more...

Prom 3, CBeebies: A Musical Trip to the Moon review - a celebration of the Apollo 11 landing

Read more...

Prom 1, BBCSO, Canellakis review - space-age First Night

Read more...

La Fille du Régiment, Royal Opera review - enjoyable but questionable revival

Read more...

Ax, Keenlyside, Dover Quartet, Wigmore Hall review – celebratory Schumann

Read more...

Treatise Project, Goldsmiths review - potent symbols reveal rich music potential

Read more...

Cendrillon, Glyndebourne Festival review - busy but engaging

Read more...

10 Questions for Cellist Raphael Wallfisch

Read more...

Benedetti, BBCSO, Oramo, Barbican review - Elgar challenges, Dvořák soothes

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...

Folkestone Triennial 2025 - landscape, seascape, art lovers...

A rare cloud form envelopes the headland and to the east and the west Folkestone is cut off from the known world. This mist shortens...

Edinburgh Fringe 2025 reviews - Rhys Darby / Alex Stringer

Rhys Darby, Pleasance Courtyard ★★★★

Rhys Darby, the New Zealand actor and...