sun 06/07/2025

Gavin Dixon

Gavin Dixon's picture
Bio
Gavin Dixon is a writer, journalist and editor based in Hertfordshire, UK. He has a PhD on the symphonies of Alfred Schnittke and is a member of the editorial team for the Alfred Schnittke Collected Works Edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London and Music Editor of Fanfare Magazine.

Articles By Gavin Dixon

Moses und Aron, Komische Oper Berlin, OperaVision review – complex and powerful memorial

Read more...

Sadko, Bolshoi Opera online review - medieval Russia meets reality TV

Read more...

Remembering Krzysztof Penderecki (1933-2020)

Read more...

Skelton, Rice, BBCSO, Gardner, Barbican review – romanticism’s last stand

Read more...

Gabetta, NHK SO, Järvi, RFH review - transparency and dynamism

Read more...

Blaauw, LPO, Jurowski, RFH review - Beethoven seen in '2020 Vision'

Read more...

Buniatishvili, RPO, Wigglesworth, RFH review – dark drama and controlled power

Read more...

Cargill, BBCSO, Saraste, Barbican review - less is more in Shostakovich

Read more...

Beethoven Discovery Day, Batiashvili, LSO, Rattle, Barbican review – reassessing a rarity

Read more...

Family Total Immersion: Lift Off!, BBC SO, Glassberg, Barbican review – 50th anniversary tribute to Apollo 11

Read more...

Death in Venice, Royal Opera review – expansive but intimate evocations

Read more...

theartsdesk in Warsaw: musical perspectives on culture beyond communism

Read more...

Pavlů, Prague SO, Inkinen, Cadogan Hall review - exhilarating but uneven Mahler Third

Read more...

Williams, LPO, Alsop, RFH review - sleek lines and pastoral tones

Read more...

Weinberg Focus Day, Wigmore Hall review – innocence and loss, violence and calm

Read more...

Angela Hewitt, Wigmore Hall review - a match made in heaven

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Motörhead - The Manticore Tapes

Manticore was owned by Emerson, Lake and Palmer and their manager. The organisation provided the name for the band’s label. Apart from ELP and its...

Kiefer / Van Gogh, Royal Academy review - a pairing of oppos...

When he was a callow youth of 18, German artist Anselm Keifer got a travel grant to follow in the footsteps of his idol, Vincent van Gogh. Some...

Siglo de Oro, Wigmore Hall review - electronic Lamentations...

Siglo de Oro are a vocal ensemble who specialise in older music – and especially neglected older music – but they have also...

Album: Barry Can't Swim - Loner

Despite being Mercury nominated, Bazza’s hardly a household name. Nevertheless, his debut album ...

Jenny Saville: The Anatomy of Painting, National Portrait Ga...

When in the 1990s, Jenny Saville’s peers shunned painting in...

Hot Milk review - a mother of a problem

Rebecca Lenkiewicz’s Hot Milk, adapted from Deborah Levy’s 2016 Man Booker shortlistee, has been described as a "psychological drama"....

Glastonbury Festival 2025: Five Somerset summer days of musi...

MONDAY 30th JUNE 2025

“I think you’d better drive,” says Finetime, his face sallow, skull-sockets underscored by...

Tom Raworth: Cancer review - truthfulness

I recently heard a BBC Radio 4 presenter use the troubling phrase: "Not everyone agreed on the reality of that." Once the domain of Andre Breton’s...