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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Glengarry Glen Ross, Playhouse Theatre review - Christian Slater is gently charismatic

Saturday, 11 November 2017 Read more...

The Retreat, Park Theatre, review - funny but a bit flat

Wednesday, 08 November 2017 Read more...

Heather, Bush Theatre review - Harry Potter satire burns bright

Friday, 03 November 2017 Read more...

The Slaves of Solitude, Hampstead Theatre review - crude, over-dramatic and under-motivated

Tuesday, 31 October 2017 Read more...

Young Marx, Bridge Theatre review - fast-moving but over-complicated

Friday, 27 October 2017 Read more...

Witness for the Prosecution, London County Hall review - favourable verdict on Agatha Christie classic

Tuesday, 24 October 2017 Read more...

Of Kith and Kin, Bush Theatre, review - comic but confused gay surrogacy drama

Saturday, 21 October 2017 Read more...

Albion, Almeida Theatre, review – Victoria Hamilton’s epic performance

Wednesday, 18 October 2017 Read more...

Heisenberg: The Uncertainty Principle, Wyndham’s Theatre review – paradoxically predictable

Tuesday, 10 October 2017 Read more...

Victory Condition, Royal Court review - Ballardian vision of the contemporary

Tuesday, 10 October 2017 Read more...

Labour of Love, Noël Coward Theatre, review - Martin Freeman and Tamsin Greig labour in vain

Wednesday, 04 October 2017 Read more...

B, Royal Court review - intriguing, ironical, but flawed

Tuesday, 03 October 2017 Read more...

Ramona Tells Jim, Bush Theatre, review – kooky, teenage heartbreak

Saturday, 23 September 2017 Read more...

Oslo, National Theatre review - informative, gripping and moving

Tuesday, 19 September 2017 Read more...

The Blinding Light, Jermyn Street Theatre, review – Jasper Britton is fascinatingly febrile

Wednesday, 13 September 2017 Read more...

Loot, Park Theatre review – dizzyingly enjoyable

Thursday, 24 August 2017 Read more...

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'We are bowled over!' Thank you for your messages... ...
Good Night, Oscar, Barbican review - sad story of a Hollywoo...

Back in the day, when America’s late-night chat show hosts and their guests sat happily smoking as they shot the breeze for a growing...

Kolesnikov, Tsoy / Liu, NCPA Orchestra, Chung, Edinburgh Int...

Say what you like about this year’s slimmer-than-usual ...

Album: The Black Keys - No Rain, No Flowers

For a band who started by entirely self-producing their own records and performing in basements...

Edinburgh Fringe 2025 reviews - Rob Auton / Saaniya Abbas

Rob Auton, Assembly Roxy ★★★...

BBC Proms: Láng, Cser, Budapest Festival Orchestra, Ivan Fis...

“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both...

Wilderness Festival 2025 review - seriously delirious escapi...

Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing...

Album: Ethel Cain - Willoughby Tucker, I'll Always Love...

This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...