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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Silk Road (How To Buy Drugs Online), Trafalgar Studios review - Geordie chancer comes of age

Wednesday, 08 August 2018 Read more...

Allelujah!, Bridge Theatre review - hilarious but dark, darker, darkest

Friday, 20 July 2018 Read more...

Alkaline, Park Theatre review - faith, friendship and failure

Saturday, 14 July 2018 Read more...

Imperium, Gielgud Theatre review - eventful, very eventful, Roman epic

Thursday, 05 July 2018 Read more...

Genesis Inc, Hampstead Theatre review - Harry Enfield in ungodly mess

Friday, 29 June 2018 Read more...

One for Sorrow, Royal Court review - imploding family drama

Thursday, 28 June 2018 Read more...

Monogamy, Park Theatre review - Janie Dee in dark family drama

Tuesday, 12 June 2018 Read more...

The Strange Death of John Doe, Hampstead Theatre review - ambitious but not entirely successful

Wednesday, 06 June 2018 Read more...

Fatherland, Lyric Hammersmith review - loud and proud, shame about the content

Saturday, 02 June 2018 Read more...

Nightfall, Bridge Theatre, review - moving but over-exposed

Wednesday, 09 May 2018 Read more...

Mood Music, Old Vic review - riveting critique of the music biz

Thursday, 03 May 2018 Read more...

Nine Night, National Theatre review - Jamaican family drama full of spirit

Tuesday, 01 May 2018 Read more...

Absolute Hell, National Theatre review - high gloss show saves over-rated classic

Thursday, 26 April 2018 Read more...

The Prudes, Royal Court review - hilarious but frustrating sex show

Wednesday, 25 April 2018 Read more...

Instructions for Correct Assembly, Royal Court review - Jane Horrocks in Middle England 'Westworld'

Monday, 16 April 2018 Read more...

Pressure, Park Theatre review - David Haig terrific in his own drama

Wednesday, 04 April 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
Good Night, Oscar, Barbican review - sad story of a Hollywoo...

Back in the day, when America’s late-night chat show hosts and their guests sat happily smoking as they shot the breeze for a growing...

Album: The Black Keys - No Rain, No Flowers

For a band who started by entirely self-producing their own records and performing in basements...

Edinburgh Fringe 2025 reviews - Rob Auton / Saaniya Abbas

Rob Auton, Assembly Roxy ★★★...

BBC Proms: Láng, Cser, Budapest Festival Orchestra, Ivan Fis...

“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both...

Wilderness Festival 2025 review - seriously delirious escapi...

Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing...

Album: Ethel Cain - Willoughby Tucker, I'll Always Love...

This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...